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As spokesman of the Inkhuk group, which included Vladimir Tatlin as a leading member, Alexander Rodchenko was a decisive factor in the development of abstract art with his paintings, sculptures and architectural designs. This monograph focuses on Rodchenko's sculptures and presents a large number of works created by the Russian Constructivist. These can be loosely divided into three groups, beginning with the abstract sculptures dating from the year 1918, in which the artist renders the geometric surfaces of his pictures "spatially," assembling two-dimensional material, cardboard or plywood. Subsequently, works that are intended to be freely suspended within a given space form a second series of constructions: These light, perforated interlacings, consisting of similar geometrical contours, were flexible, kinetic sculptures, also viewed as the first mobiles. A third group represents Rodchenko's constructions of standard type squared timber produced in around 1920, which were never shown during his lifetime. These sculptures, constructed of raw wooden modules and reminiscent of Art Brut, demonstrate the universal validity of the principles governing the organization of forms, upon which the constructivists based the composition of their paintings

Nákup knihy

Alexander Rodchenko, Varvara Fedorovna Stepanova, Michael Eldred, Aleksandr Mikhaĭlovich Rodchenko, Selim Khan-Magomedow, Alexander Lawrentjew

Jazyk
Rok vydání
2002
Vazba
(pevná),
Stav knihy
Velmi dobrá
Cena
449 Kč

Doručení

Platební metody

Nikdo zatím neohodnotil.

Titul
Alexander Rodchenko
Podtitul
Spatial Constructions, Raumkonstruktionen
Jazyk
anglicky
Vydavatel
Hatje Cantz
Rok vydání
2002
Vazba
pevná
Počet stran
208
ISBN10
3775711783
ISBN13
9783775711784
Série
Anotace
As spokesman of the Inkhuk group, which included Vladimir Tatlin as a leading member, Alexander Rodchenko was a decisive factor in the development of abstract art with his paintings, sculptures and architectural designs. This monograph focuses on Rodchenko's sculptures and presents a large number of works created by the Russian Constructivist. These can be loosely divided into three groups, beginning with the abstract sculptures dating from the year 1918, in which the artist renders the geometric surfaces of his pictures "spatially," assembling two-dimensional material, cardboard or plywood. Subsequently, works that are intended to be freely suspended within a given space form a second series of constructions: These light, perforated interlacings, consisting of similar geometrical contours, were flexible, kinetic sculptures, also viewed as the first mobiles. A third group represents Rodchenko's constructions of standard type squared timber produced in around 1920, which were never shown during his lifetime. These sculptures, constructed of raw wooden modules and reminiscent of Art Brut, demonstrate the universal validity of the principles governing the organization of forms, upon which the constructivists based the composition of their paintings