The Fervent Years
The Group Theatre and the 30's
Parametry
- 329 stránek
- 12 hodin čtení
Více o knize
The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.
Nákup knihy
The Fervent Years, Stella Adler, Harold Clurman
- Jazyk
- Rok vydání
- 1983
- Vazba
- (měkká),
- Stav knihy
- Poškozená
- Cena
- 269 Kč
Doručení
Platební metody
Nikdo zatím neohodnotil.
- Titul
- The Fervent Years
- Podtitul
- The Group Theatre and the 30's
- Jazyk
- anglicky
- Autoři
- Stella Adler, Harold Clurman
- Vydavatel
- Da Capo Press
- Rok vydání
- 1983
- Vazba
- měkká
- Počet stran
- 329
- ISBN10
- 0306801868
- ISBN13
- 9780306801860
- Série
- Kategorie
- Štítky
- Historické téma, Hudební tématika, Politika, USA, Divadlo, 20. století, Performativní umění, Muzikály
- Anotace
- The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.




