Tato napínavá série sleduje odvážnou mezinárodní novinářku, která se pouští do nebezpečných investigací v srdci Vatikánu. Odhaluje temná tajemství a spiknutí ukrytá ve zdech Svatého stolce. Každý díl přináší nové záhady a napětí, které čtenáře drží v napětí až do samého konce. Je to fascinující pohled do světa moci, víry a intrik.
Almost thirty years after the world was stunned by the shocking death of Pope John Paul I, journalist Sarah Monteiro finds an envelope stuffed in her mailbox. The contents hold the key to uncovering the truth about that mysterious death. Drawn into a vortex in which deadly mercenaries, crooked politicians, and princes of the Church itself have formed an alliance of deception, Sarah must decide between revealing the truth and saving her own soul.
Spændingsroman. Nearly three decades after the sudden death of Pope John Paul I from an apparent heart attack, reporter Sara Monteiro returns from vacation to find an envelope with a list of names and a coded message linked to the mysterious death
When Pope John Paul I dies in mysterious circumstances, his successor emerges from the conclave - unaware that he is in mortal danger. It is only the actions of a few loyal operatives that his death is prevented. 30 years later, Sarah Monteiro begins to uncover a covert agency, who's web of lies hide the true power behind the throne.
The Catholic Church's best-kept secret. The ancient scrolls which threaten that secret. And a journalist prepared to discover the truth at any cost. 1947, the Qumran Valley. Ancient scrolls are discovered that the Vatican desperately tries to suppress. Only five men know of their existence. But now four of the men have been found dead . . . Priest and double agent, Rafael, is sent to investigate. The evidence he discovers may implicate journalist Sarah Monteiro, who already knows too many of the Church's secrets. Finding themselves dangerously entangled in a life-threatening conspiracy that the church will go to any length to protect, Rafael and Sarah must uncover the truth before the killers do . . .