Anita Desai je uznávaná indická autorka, jejíž díla se ponořují do psychologické krajiny lidské zkušenosti. Její próza se vyznačuje jemným pozorováním a pronikavým vhledem do pocitů a vnitřních světů jejích postav. Desai mistrně zkoumá témata odcizení, hledání identity a komplexních vztahů, které formují naše životy. Její styl, který je zároveň poetický i pronikavý, nabízí čtenářům hluboce rezonující a myšlenkově podnětný zážitek.
Soubor jedenácti povídek: - Hry za soumraku - Soukromé hodiny u pana Bose - Studium v parku - Textury povrchu - Prodej - Ananasový dort - Doprovázeč - Oddaný syn - Večírek na rozloučenou - Holubi za svítání - Vědec a cikánka Děj všech povídek se odehrává v Indii ve 2. polovině 20.století.
Set in India's Old Delhi, CLEAR LIGHT OF DAY is Anita Desai's tender, warm, and compassionate novel about family scars, the ability to forgive and forget, and the trials and tribulations of familial love. At the novel's heart are the moving relationships between the members of the Das family, who have grown apart from each other. Bimla is a dissatisfied but ambitious teacher at a women's college who lives in her childhood home, where she cares for her mentally challenged brother, Baba. Tara is her younger, unambitious, estranged sister, married and with children of her own. Raja is their popular, brilliant, and successful brother. When Tara returns for a visit with Bimla and Baba, old memories and tensions resurface and blend into a domestic drama that is intensely beautiful and leads to profound self-understanding.
A classic of our time Untouched by the twentieth century, Thul, the small fishing village near Bombay, is still ruled by the age-old seasonal rhythms. Hari and Lila have lived in the village all their lives, but their family is now desperately down on its luck. Their father drinks; their mother is seriously ill; and there is no money to keep them fed and clothed. Delicately and exquisitely executed, Anita Desaiýs gentle and probing story traces the evolution of Hari and Lila into adults as each of them faces the familyýs predicamentýjust as the first signs of industrial India creep into their villages.
This is a collection of stories where the protagonists set out on journeys and find themselves suddenly beyond the pale, or back where they started from. A beloved dog brings chaos, and a businessman sees his own death.
Matteo and Sophie join the 1970s flight of young Europeans to India. Matteo - Italian, raised in the luscious countryside around Lake Como, restless since childhood - has been introduced by a tutor to Hermann Hesse's The Journey to the East, and it opens in him a desperate longing. Sophie - German, practical, worldly - is willing to follow him to the ends of the earth. In India, together they visit swamis, gurus, ashrams - always searching. Matteo is seeking spiritual enlightenment, but for Sophie fulfillment lies in earthly love. And when they meet a holy woman known as the Mother, the differences between them seem to explode. When we learn the Mother's story, we see it as an earlier version of their own - the story of a young girl growing up in Cairo and finding her way East by joining a troupe of Indian dancers she has met in Europe. Her journey, a young woman's daring progress through Paris and Venice and New York, until she finds her moment of transcendence in India, comments on, and gives added breadth to, the young couple's quest.
Features such novellas as "The Museum of Final Journeys" and "Translator, Translated". In "The Museum of Final Journeys", an unnamed government official is called upon to inspect a faded mansion of forgotten treasures, each sent home by the absent, itinerant master. As he is taken through the estate, he reaches the final - greatest - gift of all.
Asked to interview India's greatest poet, Nur, Deven sees a way to escape the miseries of life as a small-town scholar. But the old man he finds deep in the bazaars of Old Delhi bears no resemblance to the idol of his youth. Deven is fooled, bullied and cheated, and drawn into a new captivity.
A wonderful novel in two parts, moving from the heart of a close-knit Indian household, with its restrictions and prejudices, its noisy warmth and sensual appreciation of food, to the cool centre of an American family, with its freedom and strangely self-denying attitudes to eating. In both it is ultimately the women who suffer, whether, paradoxically, from a surfeit of feasting and family life in India, or from self-denial and starvation in the US. Or both. Uma, the plain, older daughter still lives at home, frustrated in her attempts to escape and make a life for herself. Her Indian family is difficult, demanding but mostly, good-hearted. Despite her disappointments, Uma comes through as the survivor, avoiding an unfulfilling marriage, like her sister's, or a suicidal one, like that arranged for her pretty cousin. And in America, where young Arun goes as a student, men in the suburbs char hunks of bleeding meat while the women don't appear to cook or eat at all - seems bewildering and terrifying to the young Indian adolescent far from home...
Eric is an uncertain, awkward young man, a would-be writer, and a traveller in spite of himself. Happy to follow his more confident girlfriend to Mexico, he is overwhelmed with sensory overload, but gradually seduced - by the strangeness, the colour, the mysteries of an older world. He finds himself on a curious quest for his own family in a 'ghost' mining town, now barely inhabited, where almost a hundred years earlier young Cornish miners worked the rich seams in the earth. On the D-a de los Muertos, the feast day when the locals celebrate and remember their dead, the various strands of the novel come together hauntingly, bringing together past and present in a moment of quiet, powerful epiphany.
From three times Booker-shortlisted writer Anita Desai, Rosarita is an exquisite story of art, memory and what happens when the past threatens to re- write the present.
