Anita Desai Pořadí knih (chronologicky)

From three times Booker-shortlisted writer Anita Desai, Rosarita is an exquisite story of art, memory and what happens when the past threatens to re- write the present.

Features such novellas as "The Museum of Final Journeys" and "Translator, Translated". In "The Museum of Final Journeys", an unnamed government official is called upon to inspect a faded mansion of forgotten treasures, each sent home by the absent, itinerant master. As he is taken through the estate, he reaches the final - greatest - gift of all.

Calcutta (renamed Kolkata in 2001) is a city of extremes, where exquisite refinement rubs shoulder with coarse commercialism and political violence. Krishna Dutta explores these multiple paradoxes, giving personal insight into Calcutta's unique history and modern identity as reflected in its architecture, literature, cinema, and music.

Eric is an uncertain, awkward young man, a would-be writer, and a traveller in spite of himself. Happy to follow his more confident girlfriend to Mexico, he is overwhelmed with sensory overload, but gradually seduced - by the strangeness, the colour, the mysteries of an older world. He finds himself on a curious quest for his own family in a 'ghost' mining town, now barely inhabited, where almost a hundred years earlier young Cornish miners worked the rich seams in the earth. On the D-a de los Muertos, the feast day when the locals celebrate and remember their dead, the various strands of the novel come together hauntingly, bringing together past and present in a moment of quiet, powerful epiphany.

How can we understand India today, fifty years after Independence and only months after its nuclear tests outraged the world? The novelist Arundhati Roy has written, specially for this collection, a fierce denunciation of the Indian nuclear program, which serves as an introduction to nine essays on India, all originally published in The New York Review of Books . In this volume, seven distinguished writers offer penetrating insights into the complexities of the subcontinent. Roderick MacFarquhar reflects on the legacy of Empire and Partition, Ian Buruma considers secularism and Indian democracy, Pankaj Mishra remembers life in Benares, and Christopher de Bellaigue writes on a violent Bombay. But the volatile intersections of history, politics, and culture on which they focus haunt Indian literature too, as shown in essays by Nobel Prize-winner Amartya Sen on Rabindranath Tagore, Hilary Mantel on Rohinton Mistry, and Anita Desai on Indian women's writing.

This is a collection of stories where the protagonists set out on journeys and find themselves suddenly beyond the pale, or back where they started from. A beloved dog brings chaos, and a businessman sees his own death.

A wonderful novel in two parts, moving from the heart of a close-knit Indian household, with its restrictions and prejuices, its noisy warmth and sensual appreciation of food, to the cool centre of an American family, with its freedom and strangely self-denying attitudes to eating. In both it is ultimately the women who suffer, whether, paradoxically, from a surfeit of feasting and family life in India, or from self-denial and starvation in the US. or both. Uma, the plain, older daughter still lives at home, frustrated in her attempts to escape and make a life for herself. Her Indian family is difficult , demanding but mostly, good hearted. Despite her disappointments, Uma comes through as the survivor, avoiding an unfulfilling marriage, liek her sister's or a suicidal one, like that arranged for her pretty cousin. And in America, where young Arun goes as a student, men in the suburbs char hunks of bleeding meat while the women don't appear to cook or eat at all - seems bewildering and terriying to the young Indian adolescent far from home.

Asked to interview India's greatest poet, Nur, Deven sees a way to escape the miseries of life as a small-town scholar. But the old man he finds deep in the bazaars of Old Delhi bears no resemblance to the idol of his youth. Deven is fooled, bullied and cheated, and drawn into a new captivity.

Perceptive and humorous, these three stories capture the essence of life in India.

Matteo and Sophie join the 1970s flight of young Europeans to India. Matteo - Italian, raised in the luscious countryside around Lake Como, restless since childhood - has been introduced by a tutor to Hermann Hesse's The Journey to the East, and it opens in him a desperate longing. Sophie - German, practical, worldly - is willing to follow him to the ends of the earth. In India, together they visit swamis, gurus, ashrams - always searching. Matteo is seeking spiritual enlightenment, but for Sophie fulfillment lies in earthly love. And when they meet a holy woman known as the Mother, the differences between them seem to explode. When we learn the Mother's story, we see it as an earlier version of their own - the story of a young girl growing up in Cairo and finding her way East by joining a troupe of Indian dancers she has met in Europe. Her journey, a young woman's daring progress through Paris and Venice and New York, until she finds her moment of transcendence in India, comments on, and gives added breadth to, the young couple's quest.

Nanda Kaul er en aldrende indisk enke som vil være alene og har trukket seg tilbake til fjellene i Punjab. Da kommer jenta Raka, som også søker ensomheten.

Gathers photographs of the Indian people and their daily life

Soubor jedenácti povídek: - Hry za soumraku - Soukromé hodiny u pana Bose - Studium v parku - Textury povrchu - Prodej - Ananasový dort - Doprovázeč - Oddaný syn - Večírek na rozloučenou - Holubi za svítání - Vědec a cikánka Děj všech povídek se odehrává v Indii ve 2. polovině 20.století.

Forgotten by the evolution of the centuries and indifferent to the advances of the twentieth century, Thul, a tiny fishing village not far from Bombay, continues to follow those rhythms of the seasons that have always been handed down. Hari and Lila were born and raised in the village, but now their family is falling into despair: the father to alcohol while the mother is seriously ill. As for money, that there is not even enough to meet the most basic needs between.

To the family living in a shabby, dusty house in Delhi, Tara's visit brings a sharp reminder of life outside tradition. For Bim coping endlessly with their problems, there is renewal of the old jealousies for, unlike her sister, she has failed to escape.