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The Favourite Game

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  • 244 stránek
  • 9 hodin čtení

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Leonard Cohen's reputation as a songwriter and poet often overshadows his work as a novelist. Despite only publishing two novels, he demonstrates his skill as a storyteller, blending poetry and prose with frank sexuality and sharp social satire. Both novels, released in the 1960s, sparked controversy and popularity, proving to be as substantial as his poetry collections. The first, a semi-autobiographical coming-of-age story, follows Lawrence Breavman, a Montreal Jewish boy who aspires to be a poet. To fuel his creativity, Breavman engages in self-destructive behavior, distancing himself from lovers, friends, and family, preserving them only in memory and writing. Cohen navigates between cruelty and sentimentality, ensuring that none of his characters, including Breavman, escape his satirical critique. Unlike the experimental style of his second novel, this work features a more compressed narrative, allowing Cohen to convey powerful episodes succinctly and critique characters sharply. This approach lends a slightly detached tone to the narrative, creating an atmosphere of ironic intimacy where the intense passions remain elusive, captured only in Breavman's memories and Cohen's artistry.

Vydání

Nákup knihy

The Favourite Game, Leonard Cohen

Jazyk
Rok vydání
2000
Vazba
(měkká),
Stav knihy
Dobrá
Cena
389 Kč

Doručení

Platební metody

3,9
Velmi dobrá
99+ Hodnocení

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Titul
The Favourite Game
Jazyk
anglicky
Rok vydání
2000
Vazba
měkká
Počet stran
244
ISBN10
0771022018
ISBN13
9780771022012
Série
První vydání
1963
Původní název
The Favourite Game
Hodnocení
3,9 z 5
Anotace
Leonard Cohen's reputation as a songwriter and poet often overshadows his work as a novelist. Despite only publishing two novels, he demonstrates his skill as a storyteller, blending poetry and prose with frank sexuality and sharp social satire. Both novels, released in the 1960s, sparked controversy and popularity, proving to be as substantial as his poetry collections. The first, a semi-autobiographical coming-of-age story, follows Lawrence Breavman, a Montreal Jewish boy who aspires to be a poet. To fuel his creativity, Breavman engages in self-destructive behavior, distancing himself from lovers, friends, and family, preserving them only in memory and writing. Cohen navigates between cruelty and sentimentality, ensuring that none of his characters, including Breavman, escape his satirical critique. Unlike the experimental style of his second novel, this work features a more compressed narrative, allowing Cohen to convey powerful episodes succinctly and critique characters sharply. This approach lends a slightly detached tone to the narrative, creating an atmosphere of ironic intimacy where the intense passions remain elusive, captured only in Breavman's memories and Cohen's artistry.