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Local traditions, global modernities

Dress, Identity and the Creation of Public Self-Images in Contemporary Urban Myanmar

Parametry

  • 281 stránek
  • 10 hodin čtení

Více o knize

Globalization, the introduction of market oriented economic policies, and the sudden widespread availability of international media and consumer goods has led to rapid societal change in Myanmar during the last twenty years that almost overwhelmed people and caused intense conflicts between desires to catch up with a perceived global modernity and fears of losing one’s own identity, culture and values. Georg Noack’s study explores dress and adornment of the body as a means of negotiating and expressing identity and values in contemporary urban Myanmar. It also provides profound insights in the history of Myanmar dress – as an art both in making and in wearing – as well as its use in visual representations of ‘Myanmarness’ such as colonial and contemporary photography.

Nákup knihy

Local traditions, global modernities, Georg Noack

Jazyk
Rok vydání
2011
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Titul
Local traditions, global modernities
Podtitul
Dress, Identity and the Creation of Public Self-Images in Contemporary Urban Myanmar
Jazyk
anglicky
Vydavatel
Regiospectra
Rok vydání
2011
Vazba
měkká
Počet stran
281
ISBN10
3940132330
ISBN13
9783940132338
Série
Anotace
Globalization, the introduction of market oriented economic policies, and the sudden widespread availability of international media and consumer goods has led to rapid societal change in Myanmar during the last twenty years that almost overwhelmed people and caused intense conflicts between desires to catch up with a perceived global modernity and fears of losing one’s own identity, culture and values. Georg Noack’s study explores dress and adornment of the body as a means of negotiating and expressing identity and values in contemporary urban Myanmar. It also provides profound insights in the history of Myanmar dress – as an art both in making and in wearing – as well as its use in visual representations of ‘Myanmarness’ such as colonial and contemporary photography.