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Migrating art historians on the sacred ways

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Is it possible to reconstruct the feeling of a medieval pilgrim walking towards the sacred? No, it is not. And yet, the experimental project Migrating Art Historians sought to delve into this impossibility. Journeying by foot over more than 1500km, twelve modern pilgrims - students and scholars from Masaryk University - reached some of the most impressive artistic monuments of medieval France. One year later, this book presents their intellectual, human, and art historical theoretical know-how, transformed by the experience of their bodies. In this context, exhausted and activated bodies became instruments asking new questions to medieval artworks and sources. Structured as a walk along pilgrimage routes, this book presents firstly the landscape, followed by liminal zones, before leading the reader inside medieval churches and ultimately towards the sacred. Original scientific art historical research combines with personal engagement. What emerges is the subject confronted with the experience of medieval art.

Nákup knihy

Migrating art historians on the sacred ways, Ivan Foletti, Katarína Kravčíková, Adrien Palladino, Sabina Rosenbergová

Jazyk
Rok vydání
2018
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Titul
Migrating art historians on the sacred ways
Jazyk
anglicky
Rok vydání
2018
Vazba
pevná
Počet stran
467
ISBN10
883313105x
ISBN13
9788833131054
Série
Anotace
Is it possible to reconstruct the feeling of a medieval pilgrim walking towards the sacred? No, it is not. And yet, the experimental project Migrating Art Historians sought to delve into this impossibility. Journeying by foot over more than 1500km, twelve modern pilgrims - students and scholars from Masaryk University - reached some of the most impressive artistic monuments of medieval France. One year later, this book presents their intellectual, human, and art historical theoretical know-how, transformed by the experience of their bodies. In this context, exhausted and activated bodies became instruments asking new questions to medieval artworks and sources. Structured as a walk along pilgrimage routes, this book presents firstly the landscape, followed by liminal zones, before leading the reader inside medieval churches and ultimately towards the sacred. Original scientific art historical research combines with personal engagement. What emerges is the subject confronted with the experience of medieval art.