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Ralph Eugene Meatyard

    Ralph Eugene Meatyard byl fotograf, jehož dílo se vymykalo konvenčním proudům umění své doby. Jeho vizuální jazyk, silně ovlivněný zenovou filozofií a jazzovou improvizací, zkoumal skryté aspekty rodiny a identity. Použitím masek a rekvizit ve svých snímcích, často zachycených v opuštěných prostorech nebo obyčejných předměstských zahradách, Meatyard vytvářel znepokojivé a zároveň fascinující obrazy. Jeho jedinečný přístup a hluboká originalita ho řadí mezi klíčové umělce 20. století, jejichž vliv byl plně doceněn až po jeho smrti.

    Ralph Eugene Meatyard
    • Ralph Eugene Meatyard

      • 320 stránek
      • 12 hodin čtení
      4,7(73)Ohodnotit

      The photographs of Ralph Eugene Meatyard challenge traditional norms, often described as visionary, surrealistic, and meditative. These evocative images of friends, family, and the surrounding natural world reveal a nuanced psychology of human interaction. Meatyard, an optician by trade in Lexington, Kentucky, began his photographic journey in 1950 to capture moments of his first-born son. His involvement with the Lexington Camera Club led to friendships with notable figures like Van Deren Coke, Guy Davenport, Thomas Merton, Wendell Berry, Jonathan Williams, and Minor White. Meatyard's staged and enigmatic images frequently feature masks and abandoned spaces, subtly addressing social, political, and cultural themes. His work prominently showcases the natural environment, exemplified in the Light on Water series, where long exposures create calligraphic texts, and the No-Focus series, which intentionally blurs stems and twigs. In his later Motion-Sound series, gentle camera movements produce multiple exposures of woodland scenes, evoking abstract sound patterns. This book accompanies an exhibition curated by ICP Assistant Curator Cynthia Young, with contributions from writer Guy Davenport, who also penned the text. It includes exhibition history, chronology, and bibliography.

      Ralph Eugene Meatyard