Suzanne L. Marchand Knihy

Nineteenth-century studies of the Orient changed European ideas and cultural institutions in more ways than we usually recognize. "Orientalism" certainly contributed to European empire-building, but it also helped to destroy a narrow Christian-classical canon. This carefully researched book provides the first synthetic and contextualized study of German Orientalistik, a subject of special interest because German scholars were the pace-setters in oriental studies between about 1830 and 1930, despite entering the colonial race late and exiting it early. The book suggests that we must take seriously German orientalism's origins in Renaissance philology and early modern biblical exegesis and appreciate its modern development in the context of nineteenth- and early-twentieth-century debates about religion and the Bible, classical schooling, and Germanic origins. In ranging across the subdisciplines of Orientalistik, German Orientalism in the Age of Empire introduces readers to a host of iconoclastic characters and forgotten debates, seeking to demonstrate both the richness of this intriguing field and its indebtedness to the cultural world in which it evolved.

Focusing on the cultural phenomenon of German Graecophilia, the book explores how the educated elite's fascination with ancient Greece evolved into a significant institutional force. Suzanne Marchand examines the legacy of nineteenth-century philhellenes, who sought to blend elitist aesthetics with a scholarly ethos to enhance education and the arts. Through the lens of classical archaeology, she highlights the collaboration between scholars and policymakers in creating state-funded cultural institutions, revealing both the advancements in knowledge and the shortcomings in social responsibility inherent in German neohumanism.

Porcelain was invented in medieval China--but its secret recipe was first reproduced in Europe by an alchemist in the employ of the Saxon king Augustus the Strong. Saxony's revered Meissen factory could not keep porcelain's ingredients secret for long, however, and scores of Holy Roman princes quickly founded their own mercantile manufactories, soon to be rivaled by private entrepreneurs, eager to make not art but profits. As porcelain's uses multiplied and its price plummeted, it lost much of its identity as aristocratic ornament, instead taking on a vast number of banal, yet even more culturally significant, roles. By the nineteenth and twentieth centuries, it became essential to bourgeois dining, and also acquired new functions in insulator tubes, shell casings, and teeth

"The phrase fin de siecle conjures up images of artistic experimentation and political decadence. The contributors to this volume argue that Wilhelmine Germany - best known for its industrial and military muscle - also shared these traits. Their essays look back to the years between 1885 and 1914 to find in Germany a mixture of sociopolitical malaise and experimental exhilaration that was similar in many ways to the better-known cases of France and Austria."--BOOK JACKET.