Sebastian M. Herrmann Knihy

This book calls for an investigation of the ›borderlands of narrativity‹ -- the complex and culturally productive area where the symbolic form of narrative meets other symbolic logics, such as data(base), play, spectacle, or ritual. It opens up a conversation about the ›beyond‹ of narrative, about the myriad constellations in which narrativity interlaces with, rubs against, or morphs into the principles of other forms. To conceptualize these borderlands, the book introduces the notion of »narrative liminality,« which the 16 articles utilize to engage literature, popular culture, digital technology, historical artifacts, and other kinds of texts from a time span of close to 200 years.

Data Imaginary? is about the co-evolution of the literary and of data around the middle of the long nineteenth century. It argues that, during romanticism, US culture negotiated the outlines of the literary - what literature is, what literary value consists of, and what literature can do - in relation to the outlines of another representational project that was gaining sharper contours and a stronger foothold in public perception at the time: data. As the young nation was searching for a national literature of its own, data and data-driven practices formed an important foil, a conceptual resource to articulate the desire for a new, democratic literature.00Revisiting formative decades of US literary self-perception through the conceptual lens of data, this book rethinks the representative project of transcendentalism, the catalog poetry of Walt Whitman, the formal experimentation of abolitionist literature, and the evolution of American (literary) studies.

This volume proposes the 'poetics of politics' as an analytic angle to interrogate contemporary cultural production in the United States. As recent scholarship has observed, American literature and culture around the turn of the millennium, while still deeply informed by the textual self-consciousness of postmodernism, are marked by a rekindled interest in matters of social concern. This revived interest in politics is frequently read as a 'grand epochal transition.' Sidestepping such a logic of periodization, this book points to the interplay between the textual and the political as a dynamic - always locally specific - that affords unique insights into the characteristics of the contemporary moment. The sixteen case studies in this book explore this interplay across a wide range of media, genres, and modes. Together, they make visible a broad cultural concern with negotiating social relevance and textual self-awareness that permeates and structures contemporary US (popular) culture.

This book analyzes and historicizes an important and popular motif in contemporary US political discourse: the notion that politics has become increasingly 'unreal.' At the turn of the millennium, the simulated quality of politics in general and of the US presidency in particular has become a major object of concern across a broad range of venues and media: publications in media studies and political science, newspaper editorials, novels, films, and TV shows alike worry over how much or how little we can actually know about the reality of the US president when all our knowledge is based on carefully staged media representations. Rather than adding another voice to this concern, 'Presidential Unrealities' investigates the cultural work such discussions do. Charting their histories and their cultural resonances, the book argues that debating 'presidential unreality' provides a crucial vocabulary by way of which the US public negotiates the postmodernization of American culture and society.

This volume explores the 'Americanization' of Central and Eastern Europe during and after the Cold War. It seeks to revisit and expand this critical concept by investigating previously overlooked perspectives and new comparative constellations. The Iron Curtain has frequently been seen as a tightly sealed border between East and West. However, as the contributions to this collection illustrate, it proved remarkably permeable for American goods and lifestyles which generated and gratified a range of often ambivalent desires and fantasies. This book attends to the ensuing 'messiness' of cultural transfer and mixing, as well as to the role 'America' has played in these processes. In twelve case studies, a broad spectrum of disciplinary angles and diverse geo-biographical horizons come together to examine the elusive dynamics of ambivalent Americanizations in areas such as music, television, and material culture.