James O. Ward Knihy

This book presents a systematic study of a significant yet underexplored phenomenon in Renaissance Europe. Dr. Ward closely examines various visual and textual materials to reveal how Florentine citizens, including renowned artists and writers like Michelangelo, Machiavelli, and Vasari, expressed their discontent with the authoritarian political and cultural climate of the time. They did so in relatively safe ways while maintaining connections with the rulers they criticized, often relying on them for their livelihoods. The volume offers new interpretations of iconic works, such as Michelangelo's New Sacristy, Machiavelli's Prince, and Vasari's portrait of Lorenzo de' Medici, which have traditionally been seen as mere celebrations of patron power. It provides fresh insights into the complex power dynamics between Florence's creative figures and their patrons, shedding light on patron-artist relations during this era. Written in an accessible style, the book serves as a valuable resource for specialists in Italian history, art history, literature, and related fields, while also appealing to general readers interested in Florence's intricate relationship with the Medici family.