Sean Mallon Knihy

"When Tatau was first published in 2010, Mark Adams' renowned images documenting a great Polynesian art tradition were a revelation. It told the story of the late Suluʻape Paulo II, the pre-eminent figure of modern Samoan tattooing. A brilliantly innovative and often controversial man, he saw tatau as an art of international importance. Tatau documented his practice, and that of other tufuga ta tatau (tattoo artists), in the contexts of Polynesian tattooing, Samoan migrant communities and New Zealand art. Long out-of-print, this revised and extended new edition, with its handsome large format and texts by distinguished scholars, makes a cultural treasure available once more"--

A BEAUTIFULLY DESIGNED AND RICHLY ILLUSTRATED RETELLING OF THE UNIQUE AND POWERFUL HISTORY OF SAMOAN TATTOOING, FROM 3000 YEARS AGO TO MODERN PRACTICES. The Samoan Islands are virtually unique in that tattooing has been continuously practised with indigenous techniques: the full male tattoo, the pe'a has evolved in subtle ways in its design since the nineteenth century, but remains as elaborate, meaningful, and powerful as it ever was. This cultural history is the first publication to examine 3000 years of Samoan tatau. Through a chronology rich with people, encounters and events it describes how Samoan tattooing has been shaped by local and external forces of change over many centuries. It argues that Samoan tatau has a long history of relevance both within and beyond Samoa, and a more complicated history than is currently presented in the literature. It is richly illustrated with historical images of nineteenth and twentieth century Samoan tattooing, contemporary tattooing, diagrams of tattoo designs and motifs, and with supplementary photographs such as posters, ephemera, film stills and artifacts.