Gertrude Stein Pořadí knih

Tři ženy z přelomu devatenáctého a dvacátého století, které psaly ženám. Tři různé poetiky a tři různé osudy v jedné sbírce básní v překladu a s krátkým doslovem Sylvy Ficové a Anny Štičkové, s ilustracemi Silvie Vavřinové. Dokoupit lze látkové buttony se jmény básnířek. Čtenářky (a snad i čtenáři) lesbické poezie mohoumít někdy dojem, že dnešní básnířky kromě antické Sapfó z řecké Mytilény nemají snad žádné předchůdkyně. Sapfické motivy přitom najdeme nejen ve starozákonní knize Rút, ale i ve spisech křesťanských mystiček včetně Hildegardy von Bingen, v sedmnáctém století u anglické dramatičky a autorky prvního románu Aphry Behn, později v básních hraběnky Anne Finch a v devatenáctém století třeba v denících Anne Lister nebo u čínské básnířky Wu Zao… Tento útlý svazek představuje tři další jména – tři americké autorky, tři různé poetiky a tři různé osudy žen z přelomu devatenáctého a dvacátého století, které psaly ženám: výstřední Emily Dickinson, o které si jiní rádi mysleli, že je tak trochu blázen; vášnivé sběratelky knih Amy Lowell, které Ezra Pound nemohl přijít na jméno, protože si dovolila vydat antologie imagistické poezie i bez jeho posvěcení; a extrovertní Gertrude Stein, která provozovala společenský salon nedaleko Lucemburské zahrady v Paříži, kam docházeli Picasso, Fitzgerald, Hemingway či Matisse. Tři různé poetiky a tři různé osudy v jedné sbírce básní v překladu a s krátkým doslovem Sylvy Ficové a Anny Štičkové, s ilustracemi Silvie Vavřinové.

BLINDER RAUM ist die erste größere Monografie des südburgenländischen Künstlers FRANZ VANA. Sie bietet Einblick in sein grafisches Werk von 1972 bis 2021. Seine eigenwillige, abstrakte wie gegenständliche Formensprache verwebt witzreiche Wortspiele, geometrische Fragmente und zuweilen fantasiereiche Motive auf Bildflächen. Die größtenteils monochromen Grafitarbeiten zeugen von einem subtilen Empfinden für Körper, Formen, Licht und Schatten. Eine Werkmonografie mit Textbeiträgen von Barbara Horvath, Henri Michaux, Franz Vana und Martin Zeiller.

The work explores the influential relationships between Matisse, Picasso, and Gertrude Stein, highlighting their artistic interactions and cultural significance. Alongside these insights, the book includes two shorter stories that complement the main narrative. The modern republication ensures clarity and readability, having been meticulously retyped and reformatted for contemporary audiences, preserving its historical importance for future generations.

Originally published in 1930 in an edition of 100 copies, Gertrude Stein’s Dix Portraits pairs her singular literary style with original lithographs by Pablo Picasso and other artists in Stein’s circle to create an exceptional artist’s book exploring written and visual portraiture. Written between 1913 and 1929, revolutionary years in art history, Dix Portraits conveys the deep human engagement between an artist and her subject. The artist’s book unites Stein’s ten portraits in prose with sketches by five artists: Pablo Picasso, Christian Bérard, Eugene Berman, Pavel Tchelitchew, and Kristians Tonny. Utilizing the interplay between word and image, Stein’s writing and the artists’ images provide nuance and depth, balancing humor and sincerity. With a new introduction by Lynne Tillman, Dix Portraits is an unforgettable artistic collaboration. The subjects represented include Pablo Picasso, Guillaume Apollinaire, Erik Satie, Pavel Tchelitchew, Virgil Thomson, Christian Bérard, Bernard Faÿ, Kristians Tonny, Georges Hugnet, and Eugene Berman. Originally printed in an edition of 100 copies with the lithography, and now widely accessible for the first time, Dix Portraits captures Stein’s legacy as a champion of artists and a pioneer of creativity.

First published in 1909, this modernist classic showcases Stein's unique and thought-provoking writing style. Tender Buttons challenges conventional narrative forms, exploring everyday objects and experiences through innovative language and structure. The work invites readers to engage with its abstract themes and playful use of words, making it a seminal piece in modern literature.

Set in the fictional American town of Bridgepoint, this 1909 work features three independent stories that explore the lives of different characters. Each narrative delves into the intricacies of personal experiences and relationships, showcasing Gertrude Stein's innovative style and her focus on the subtleties of everyday life. The stories interconnect thematically, offering a rich tapestry of human emotion and interaction.

Feminist Fiction takes center stage in this curated anthology, showcasing seven impactful short stories by renowned authors. Each selection was chosen for its significance and resonance within the feminist literary landscape. Readers will encounter powerful narratives such as "The Yellow Wallpaper" by Charlotte Perkins Gilman and "A Jury of Her Peers" by Susan Glaspell, alongside works by Kate Chopin, Gertrude Stein, Edith Wharton, Edith Nesbit, and Katherine Mansfield. This collection invites exploration of themes related to women's experiences and perspectives.

The book features three prose pieces showcasing Gertrude Stein's renowned stream-of-consciousness style. First published in 1933, it explores the artistic relationship and contrasts between Matisse and Picasso, reflecting on their influence and the avant-garde movement of the time. Stein's unique narrative technique invites readers into a vivid and introspective examination of art and creativity.

The narrative explores themes of time, solitude, and the nuances of everyday life through a series of abstract reflections. It juxtaposes moments of stillness with the complexities of human experience, emphasizing the beauty found in simplicity and routine. The imagery of gardens, meals, and domestic settings highlights a sense of comfort, while the mention of materials like silver and pearls suggests a deeper appreciation for the small pleasures of life. Ultimately, the prose invites readers to contemplate the significance of their surroundings and the fleeting nature of existence.

Meet the women who wrote. They wrote against all odds. Some wrote defiantly; some wrote desperately. Some wrote while trapped within the confines of status and wealth. Some wrote hand-to-mouth in abject poverty. Some wrote trapped in a room of their father’s house, and some went in search of a room of their own. They had lovers and families. They were sometimes lonely. Many wrote anonymously or under a pseudonym for a world not yet ready for their genius and talent. We know many of their names—Austen and Alcott, Brontë and Browning, Wheatley and Woolf—though some may be less familiar. They are here, waiting to introduce themselves. They marched through the world one by one or in small sisterhoods, speaking to each other and to us over distances of place and time. Pushing back against the boundaries meant to keep us in our place, they carved enough space for themselves to write. They made space for us to follow. Here they are gathered together, an army of women who wrote and an arsenal of words to inspire us. They walk with us as we forge our own paths forward. These women wrote to change the world.