Poets of all times, places and sensibilities have been moved to write about
war. From Horace and Virgl to Steveie Smith, from the anonymous bards of
ancient China to Adam Mickiewicz and Primo Levi, these poets have encompassed
the entire spectrum of feeling - pride, compassion, courage anger fear
excitement, anguish, even laughter.
"This volume originates in the four unpublished Clark Lectures that Hollander delivered in 1999 at Trinity College, Cambridge. These lectures were planned to provide the core of a long-meditated book, though he never completed his revisions for this before he died in 2013."--Preface.
John Hollander's poetry is recognized for its visionary power, establishing him as a significant contemporary figure. His earlier works, Tesserae and Selected Poetry, have been critically acclaimed, highlighting his unique voice and contribution to modern poetry. The review in The New Republic emphasizes his impact and the importance of his literary achievements.
This volume includes works by Spenser (excerpts from all books of The Faerie Queene), Shakespeare (including The Tempest), Marlowe (Dr. Faustus, Hero and Leander), Donne, and Milton (Comus, Samson Agonistes, and long excerpts from Paradise Lost).
Some of the poets included in this anthology:Theocritus, Edmund Spenser,
Edward Lear, Robert Browning, Thomas Hardy, John Donne, Philip Larkin, Anne
Bradstreet, Emily Dickinson, Rossetti, Shelley and Kipling...
Exploring the interplay between language and perception, this collection features a range of poetic forms, including sonnets and ancient odes. John Hollander delves into philosophical themes with a playful tone, reflecting on how words shape our understanding of the world. His meditations invite readers to consider the nuances of language and its impact on our experiences, capturing the essence of human thought and emotion.
A delightfully ghoulish array of specters and sorceresses, witches and ghosts, hags and apparitions haunt these pages–a literary parade of phantoms and shades to add to the revelry of All Hallow’s Eve.From Homer to Horace, Pope to Poe, Randall Jarrell to James Merrill, Poems Bewitched and Haunted draws on three thousand years of poetic forays into the supernatural. Ovid conjures the witch Medea, Virgil channels Aeneas’s wife from the afterlife, Baudelaire lays bare the wiles of the incubus, and Emily Dickinson records two souls conversing in a crypt, in poems that call out to be read aloud, whether around the campfire or the Ouija board. From ballads and odes, to spells and chants, to dialogues and incantations, here is a veritable witches’ brew of poems from the spirit world.Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
Surveys the schemes, patterns and forms of English verse, and illustrates each
variation with an original and witty self-descriptive example. In this fourth
edition, the authors offer a personal take on why the book has played such an
important role in the education of young poets and student scholars.
Christmas is both a holiday and a holy day, and from the start it has been associated with poetry, from the song of the seraphim above the manger to the cherished carols around the punch bowl. This garland of Christmas poems contains not only the ones you would insist on finding here ("A Visit from St. Nicholas," "Lo, How a Rose E'er Blooming," and "The Twelve Days of Christmas" among them) but such equally enchanting though lesser-known Yuletide treasures as Emily Dickinson's "The Savior must have been a docile Gentleman," Anthony Hecht's "Christmas Is Coming," Rudyard Kipling's "Christmas in India," Langston Hughes's "Shepherd's Song at Christmas," Robert Graves's "The Christmas Robin," and happy surprises like Phyllis McGinley's "Office Party," Dorothy Parker's "The Maid-Servant at the Inn," and Philip Larkin's "New Year Poem."