Play it again
Ein Jahr zwischen Noten und Nachrichten
Ein Jahr zwischen Noten und Nachrichten
Alan Rusbridger schildert in „Breaking News“ seine 20-jährige Zeit als Chefredakteur des Guardian und beleuchtet, wie er die Zeitung zum führenden Online-Nachrichtenmedium entwickelte. Er thematisiert bedeutende Enthüllungen wie die von Edward Snowden und die Wikileaks-Veröffentlichungen und reflektiert die drastischen Veränderungen in der Nachrichtenlandschaft. Mit der raschen Verbreitung von Falschinformationen und dem Einfluss von Algorithmen sieht er die Glaubwürdigkeit der Medien in Gefahr. Rusbridger plädiert für eine Neuausrichtung des Journalismus, um die Demokratie zu schützen und seine essentielle Rolle zurückzugewinnen.
In 2010, Alan Rusbridger, the editor of the Guardian, set himself an almost impossible task: to learn, in the space of a year, Chopin's Ballade No. 1 - a piece that inspires dread in many professional pianists. His timing could have been better. The next twelve months were to witness the Arab Spring, the Japanese tsunami, the English riots, and the Guardian's breaking of both WikiLeaks and the News of the World hacking scandal. In the midst of this he carved out twenty minutes; practice a day - even if that meant practising in a Libyan hotel in the middle of a revolution - as well as gaining insights and advice from an array of legendary pianists, theorists, historians and neuroscientists, and even occasionally from secretaries of state. But was he able to play the piece in time?
As editor of the Guardian, one of the world's foremost newspapers, Alan Rusbridger abides by the relentless twenty-four-hour news cycle. But increasingly in midlife, he feels the gravitational pull of music―especially the piano. He sets himself a formidable challenge: to fluently learn Chopin's magnificent Ballade No. 1 in G minor, arguably one of the most difficult Romantic compositions in the repertory. With pyrotechnic passages that require feats of memory, dexterity, and power, the piece is one that causes alarm even in battle-hardened concert pianists. He gives himself a year. Under ideal circumstances, this would have been a daunting task. But the particular year Rusbridger chooses turns out to be one of frenetic intensity. As he writes in his introduction, "Perhaps if I'd known then what else would soon be happening in my day job, I might have had second thoughts. For it would transpire that, at the same time, I would be steering the Guardian through one of the most dramatic years in its history." It was a year that began with WikiLeaks' massive dump of state secrets and ended with the Guardian's revelations about widespread phone hacking at News of the World. "In between, there were the Japanese tsunami, the Arab Spring, the English riots . . . and the death of Osama Bin Laden," writes Rusbridger. The test would be to "nibble out" twenty minutes per day to do something totally unrelated to the above. Rusbridger's description of mastering the Ballade is hugely engaging, yet his subject is clearly larger than any one piece of classical music. Play It Again deals with focus, discipline, and desire but is, above all, about the sanctity of one's inner life in a world dominated by deadlines and distractions
A powerful and profound study of the news - how we read it, who controls it and why it matters - from former Guardian Editor-in-Chief Alan Rusbridger.
Told in Alan's inimitable dead-pan voice this is another very charming and extremely funny story brought to life by Ben Cort's hugely imaginative illustrations.
Slap bang in the middle of the coldest Friday of the coldest week of the year, the central heating breaks down at Melton Mowbray Zoo.
This book is the definitive user's guide for how to stay informed, tell truth from fiction, and hold those in power accountable in the modern age
Nothing in life works without facts.A society that isn't sure what's true can't function. Without facts there can be no government or law. Science is ignored. Trust evaporates.People everywhere feel ever more alienated from - and mistrustful of - news and those who make it. We no longer seem to know who or what to believe. We are living through a crisis of 'information chaos'.News: And How to Use It is a glossary for this bewildering age. From AI to Bots, from Climate Crisis to Fake News, from Clickbait to Trolls (and more), here is the definitive user's guide for how to stay informed, tell truth from fiction and hold those in power accountable in the modern age.
Slap bang in the middle of the hottest day of the year, the zoo's drains have blocked up and there's nowhere for the animals' poo to go! Mr Pickles the zoo keeper (who is looking distinctly green) must decide what to do with it all... Before the naughty chimps beat him to it!