Lisa Colpaert Knihy

A fierce warrior must save the heart of her beloved prince before it's too late in the first book of a new YA fantasy-adventure graphic novel trilogy, perfect for fans of Noelle Stevenson's Nimona and Kazu Kibuishi's Amulet Evony is an orphaned princess from a kingdom destroyed by a power-hungry witch. Prince Ammon has recently been drawn to her, or at least he�s drawn to her uncanny ability to sense when familiars�servants to the witches�are approaching his kingdom�s borders. And Evony, well Evony has always longed for something more with Ammon. Wanting to prove himself to his kingdom and parents, Ammon takes Evony outside the borders to fight the familiars head-to-head. All is well until they�re captured by witch Aradia, who steals Ammon�s heart and leaves his body to turn into one of her familiars. What�s worse, his sister Nissa has been taken hostage by Aradia�s daughter. Evony makes it her mission to retrieve Ammon�s heart and save Nissa, taking her into the mysterious Witchlands. There, she will discover a secret about her past that will change everything.

This book provides a social, cultural, and political history of migration, ethnicity, and madness in New Zealand between 1860 and 1910.

This book brings to life for the first time the remarkable story of James Taylor, 'father of the Ceylon tea enterprise' in the nineteenth century, and examines the dark side of planting life including violence and conflict, oppression and despair. -- .

A fascinating examination of 13 key films from one of the most highly regarded and most widely debated periods in American film history-- In December 1967, Time magazine put Bonnie and Clyde on its cover and proudly declared that Hollywood cinema was undergoing a 'renaissance'. For the next few years, a wide range of formally and thematically challenging films were produced at the very centre of the American film industry, often (but by no means always) combining success at the box office with huge critical acclaim, both then and later. This collection brings together acknowledged experts on American cinema to examine thirteen key films from the years 1966 to 1974, starting with Who's Afraid of Virginia Woolf?, a major studio release which was in effect exempted from Hollywood's Production Code and thus helped to liberate American filmmaking from (self-)censorship. Long-standing taboos to do with sex, violence, race relations, drugs, politics, religion and much else could now be broken, often in conjunction with extensive stylistic experimentation. Whereas most previous scholarship has examined these developments through the prism of auteurism, with its tight focus on film directors and their oeuvres, the contributors to this collection also carefully examine production histories and processes. In doing so they pay particular attention to the economic underpinnings and collaborative nature of filmmaking, the influence of European art cinema as well as of exploitation, experimental and underground films, and the connections between cinema and other media (notably publishing, music and theatre). Several chapters show how the innovations of the Hollywood Renaissance relate to further changes in American cinema from the mid-1970s onwards.