Knihobot

Mary Collier

    The Woman's Labour
    Poetic Effusions (1851)
    Poetic Effusions
    • Poetic Effusions

      • 154 stránek
      • 6 hodin čtení

      Culturally significant, this reproduction preserves the integrity of the original artifact, including copyright references and library stamps. It serves as a vital piece of civilization's knowledge base, reflecting the historical context and scholarly importance of the work. Readers can expect an authentic experience that connects them to the past through its faithful presentation.

      Poetic Effusions
    • Poetic Effusions (1851)

      • 144 stránek
      • 6 hodin čtení

      The book is a facsimile reprint of a scarce antiquarian work, preserving its original content despite potential imperfections like marks and notations. It aims to highlight the cultural significance of the text, reflecting a commitment to protecting and promoting literature. This edition offers an affordable and high-quality version that remains true to the original, making it accessible for modern readers interested in historical works.

      Poetic Effusions (1851)
    • Eighteenth-century poetry was dominated by men of education and wealth, and bookcases sagged under the weight of volumes by Swift, Johnson and Pope. When Stephen Duck’s The Thresher’s Labour was published in 1730, however, it was a sensation – highlighting the plight of the working class in verse was hereto simply unthought of. Duck’s poem came to the attention of Mary Collier, a washerwoman working in Hampshire, who was astounded to read Duck’s dismissal of women as work-shy layabouts who indulged in ‘noisy prattle’, and she penned a stinging riposte, The Woman’s Labour, which reframed Duck’s relation of harvest-time toil from a woman’s perspective. This edition of The Woman’s Labour seeks to give a wider view of the conversation, and includes The Thresher’s Labour, ‘The Three Wise Sentences’ (which Collier included in the first publication of her reply), ‘An Epistolary Answer to an Exciseman Who Doubted Her Being the Author’ and the elegy she wrote for Stephen Duck after he died. 'Collier’s writing… represents an instance of resistance to oppression both gendered and class-based.' — Donna Landry The Muses of Resistance

      The Woman's Labour