The book presents the first publication of Howells' 1911 Violin Sonata, submitted as part of his application for a scholarship at the Royal College of Music. Comprising three movements and lasting 40 minutes, it is a substantial work. Editor Paul Spicer notes that Howells aimed to establish himself as a serious composer with grand ambitions, showcasing mastery of classical forms while also being aware of modern developments.
Set against the backdrop of World War I, this work for viola, string quartet, and string orchestra was composed in 1917 and premiered at the Mons Memorial Concert in London's Royal Albert Hall. It honors Francis Purcell Warren, a fellow student of Herbert Howells at the Royal College of Music, who was part of a talented group of young musicians. The elegy reflects the profound loss felt by those who knew him, capturing the spirit of remembrance and the impact of war on the arts.
The choral piece by Herbert Howells offers a joyful and accessible alternative to Benjamin Britten's New Year's song, which sets the same traditional verses. Howells' composition primarily features unison singing with simple two-part sections, making it suitable for various choirs. Its engaging melody captures the celebratory spirit of the New Year, showcasing Howells' mastery in choral music.
The composition features a text by William Blake, divided into two distinct stanzas that showcase a pastoral tone and melodic qualities. The intricate interplay between the stanzas creates an engaging experience for the choir, pianist, and audience alike. This piece is a delightful and rare addition to any choral concert, promising enjoyment for all participants.
This collection features six short musical pieces, skillfully edited by Robin Wells. Each piece offers unique insights and showcases diverse styles, making it an excellent resource for both performers and educators. The compilation aims to enhance musical understanding and performance skills, appealing to a wide range of musicians looking to expand their repertoire.
This collection features six organ pieces composed in 1953, showcasing a variety of styles and techniques. Each piece is designed to challenge and inspire organists, making it suitable for both performance and practice. The compositions highlight the instrument's rich tonal possibilities and are ideal for enhancing the repertoire of musicians looking to expand their skills.
This collection features three distinct preludes for organ, each inspired by a different Psalm. Composed to enhance worship services, the pieces blend traditional liturgical elements with contemporary musical techniques. Ideal for organists seeking to enrich their repertoire, these preludes offer a thoughtful exploration of scripture through music, making them suitable for both church settings and personal practice.
The Music Herbert Howells Has Tended To Be Unjustly Neglected But His Post-War Output Of Orchestral And Chamber Works Is Currently Enjoying A Period Of Re-Eveluation.