David Revere McFadden Knihy

•A survey of contemporary artists who use cut paper - from small-scale intricate cuttings to monumental architectural interventions and sculpture - as an art formEclectic, eccentric and tirelessly innovative, art crafted from cut paper has experienced an exciting renaissance in recent years. Published to accompany a travelling exhibit organized by the Museum of Arts and Design in New York, Paper Under the Knife examines the resurgence of traditional handicraft materials and techniques in contemporary art and design. Highlighting the work of forty-five international artists, among them Olafur Eliasson, Tom Friedman, William Kentridge, and Kara Walker, the book features not only cut but also burned, torn, laser-cut, shredded and sculpted paper art.In addition, the book includes cut-paper animation, as well as cut paper incorporated in photography and fashion. Works range from small-scale intricate cuttings to large-scale architectural inventions and sculptures. With an essay by well-known decorative arts expert David Revere McFadden, this singular book reveals that, with ingenuity and craftsmanship, one of our most familiar implements can be transformed into unforgettable works of art.

Italian art glass of the twentieth century marks a pinnacle in the medium's history. Legendary Muranese factories like Venini, Seguso, and Barovier & Toso collaborated with prominent artists, architects, designers, and skilled glassworkers to innovate and expand upon the rich traditions of Venetian glass. This period saw groundbreaking experiments in forms, colors, and techniques, leading to a golden era of Italian glass at mid-century and the arrival of talented international artists. The Venetian glasswork of this century stands as a testament to creative spirit and artistic innovation. Presented at the American Craft Museum from fall 2000 to winter 2001, the exhibition showcases a comprehensive overview of twentieth-century Italian glass art in the U.S., featuring a previously unknown private collection of masterworks. The extraordinary design by Massimo Vignelli, paired with stunning photographs by Luca Vignelli, brings each piece to life. This catalogue, highlighting over 200 works, addresses the scarcity of publications on twentieth-century Italian glass art in the U.S. and is poised to play a significant role in the current resurgence of interest in glass as a legitimate art form.