Maël Renouard Knihy

In this enigmatic novella, one hears of the life of a litterateur before, during and after the Great Revolution. The Reform of Peking Opera was awarded the Prix Décembre in 2013.

A deeply informed, yet playful and ironic look at how the internet has changed human experience, memory, and our sense of self, and that belongs on the shelf with the best writings of Roland Barthes and Jean Baudrillard. “One day, as I was daydreaming on the boulevard Beaumarchais, I had the idea—it came and went in a flash, almost in spite of myself—of Googling to find out what I’d been up to and where I’d been two evenings before, at five o’clock, since I couldn’t remember on my own.” So begins Maël Renouard’s Fragments of an Infinite Memory, a provocative and elegant inquiry into life in a wireless world. Renouard is old enough to remember life before the internet but young enough to have fully accommodated his life to the internet and the gadgets that support it. Here this young philosopher, novelist, and translator tries out a series of conjectures on how human experience, especially the sense of self, is being changed by our continual engagement with a memory that is impersonal and effectively boundless. Renouard has written a book that is rigorously impressionistic, deeply informed historically and culturally, but is also playful, ironic, personal, and formally adventurous, a book that withstands comparison to the best of Roland Barthes and Jean Baudrillard.

The story deals with two European men, named Kayerts and Carlier, who are assigned to a trading post in a remote part of the African Jungle. There they take part in ivory trading, hoping to financially benefit the company as well as themselves. With no specific tasks or important things to be done, they both become increasingly isolated and demoralized as the time goes by. At one point in the story, the native Makola, serving as Kayerts's and Carlier's bookkeeper, initiates an exchange of slaves for ivory. Initially Kayerts and Carlier are stunned and scandalized by the idea, yet eventually they accept the deal and aid Makola for his huge profit. Both men are continuously plagued by diseases and grow very weak physically towards the end of the story. Finally, a seemingly trivial matter - sugar - sparks an irrational, uncontrolled and violent conflict between them, and ends tragically as Kayerts accidentally shoots and kills Carlier. At the end of the story, just when the company steamboat approaches the station two months later than it should have, Kayerts hangs himself out of desperation.

« Je fus en grâce autant qu’en disgrâce. De l’un ou l’autre état les causes me furent souvent inconnues. À l’âge de quinze ans j’avais été placé au Collège royal, dans la classe de l’aîné des princes… » Celui que le destin projette ainsi dans l’entourage du futur roi du Maroc, Hassan II, aurait tort de trop croire en son étoile et de ne mettre aucune borne à ses ambitions. Il n’est pas sans risque d’avoir systématiquement devancé un prince au tableau d’honneur. Attend-il d’être appelé au gouvernement ? On l’envoie en exil. Se croit-il perdu à jamais ? On le nomme historiographe du royaume, comme Racine sous Louis XIV, comme Voltaire sous Louis XV. Ce n’est pas pour déplaire à ce conseiller lettré, qui cultive une écriture d’un classicisme achevé. Mais il a appris à redouter dans toute faveur apparente un jeu dont il serait obscurément la proie. Et qu’adviendra-t-il de sa loyauté à toute épreuve, lorsqu’une insaisissable jeune femme viendra lui murmurer les secrets des rébellions qui s’organisent clandestinement dans le royaume ? Une transposition virtuose des Mille et Une Nuits et des Mémoires de Saint-Simon au xxe siècle, qui nous fait revivre trente ans d’histoire du Maroc, entre le crépuscule du « protectorat » et le début des « années de plomb ».