Nicolas Grospierre Knihy

In this follow-up to Modern Forms, award winning photographer Nicolas Grospierre presents a visually arresting archive of remarkable modernist interiors found throughout the world.

Modern Forms...a coffee-table volume that must be one of the fanciest Tumblr- to-book projects ever. Grospierre walks us around the world through modern architecture in a meander organized not geographically or historically, but visually . . . It's no surprise that Grospierre is a hit on Tumblr, which has a thing for architectural decay porn - there's nothing it loves more than an abandoned amusement park. This artist is no voyeur, though: he's providing a valuable service by contextualizing these buildings, by documenting them, and by bringing some minor landmarks (particularly those from the former Soviet Union and Soviet Bloc) to the attention of a wider audience. �The Tangential Photographed and compiled by Nicolas Grospierre, this is a stunning achievement that is much more than just a book of architectural photographs. This is a compendium of some of the most well known and not so well known structures of the 20th century, handpicked by an individual who has traveled the world in search of interesting, innovative and important structures. From monuments to bus stops, we have not seen a collection quite like this before. �The Brvtalist For the past 15 years, Nicolas Grospierre has traveled the globe documenting modern architecture. Now the Geneva-born, Warsaw-based photographer has compiled his striking images, many of which have never before been published, in a new book, Modern Forms: A Subjective Atlas of 20th- Century Architecture. It contains nearly 200 photographs arranged by form, rather than geography, allowing Grospierre to create a complete look at the many ways that architecture follows political and social ideologies. -Architectural Digest The sometimes-subtle distinction between the celebrated and the banal intrigues the Swiss-born photographer Nicolas Grospierre. For over a decade, he's traveled the world documenting modern structures-those constructed between 1920 and 1989-as a visual record of the failures and successes, and the humble and iconic designs of the era. He has compiled 200 photographs in a new book called Modern Forms: A Subjective Atlas of 20th- Century Architecture. . . . Modernism was intended as a vehicle to promote social good and guarantee good design for the masses. To that end, Grospierre focuses on structures like churches, bus stops, sports centers, and mass housing projects. Many of them were built under Communist regimes. While modernism's lofty social and ideological mission never fulfilled expectations, its formal exercises continued to evolve over the decades. Grospierre's photographs show how architects in less-covered places like the Crimean peninsula, Baltic countries, and Middle East explored crazy shapes and silhouettes in hopes of tapping into the idealized vision of progress through design. -fastcodesign.com

A House for Culture (Dom dla kultury) Nicolasa Grospierrea ukazuje formalne podobieństwa między budynkami kibuców i kołhozów wzniesionych w miejscach oddalonych od siebie setki kilometrów. Przedstawione budowle nie tylko dzieli odległość geograficzna, lecz także różnią krąg kulturowy i ustrój polityczny, w jakich powstały. Z kolei łączą je uniwersalny język modernistycznej architektury i kultura rozumiana jako przestrzeń do budowania i rozwijania więzi międzyludzkich. Projekt wyróżnia się walorami artystycznymi i stanowi kontynuację charakterystycznego dla autora języka wizualnego, który skupia się na frontalnej dokumentacji powtarzalności form w architekturze modernizmu, obecnych niezależnie od funkcji.

Der Fotograf und Künstler Nicolas Grospierre arbeitet im Grenzbereich von Fotografie, Kunst und Architektur. In seinen Arbeiten erkundet er die Spuren, die die Architektur der Moderne im kollektiven Gedächtnis zurückgelassen hat. Seine doppelbödigen Fotografien und Installationen spiegeln die Hoffnungen und Enttäuschungen moderner Utopien. Das Buch Open-Ended präsentiert in über 200 Abbildungen Arbeiten aus den letzten zehn Jahren, zeigt klassische Dokumentarfotografie ebenso wie ortsspezifische Installationen. Von der Serie „The Afterlife of Buildings“ – 2008 in Venedig mit dem Goldenen Löwen ausgezeichnet – bis zu faszinierenden Gedankenspielen wie den Installationen „The Library“ oder „The Bank“ entfaltet dieser opulente Band so einen Überblick über das Werk des Künstlers, ergänzt von analysierenden Essays und ausführlichen Erläuterungen der einzelnen Arbeiten.