John Gaspard Knihy

Hollywood's top screenwriters look back at their early low-budget efforts and provide valuable tips, tricks, and advice on how to create a solid screenplay for a low-budget movie. Includes in-depth interviews with: Tom DiCillo (Living in Oblivion), Whit Stillman (Metropolitan), Richard Glatzer (Grief), Henry Jaglom (Venice/Venice), Dan Futterman (Capote), John McNaughton (Henry: Portrait of a Serial Killer), Coleman Hough (Bubble), Rebecca Miller (Personal Velocity), Stuart Gordon (Re-Animator), Joan Micklin Silver (Hester Street), Ali Selim (Sweet Land), Stephen Belber (Tape), Eric Bogosian (subUrbia), George Romero (Martin), Bob Clark (Children Shouldn't Play With Dead Things), Roger Nygard (Suckers), Alex Cox (Repo Man), Amy Holden Jones (Love Letters), Kenneth Lonergan (You Can Count On Me), Dylan Kidd (Roger Dodger), LM Kit Carson (Paris, Texas), Kasi Lemmons (Eve's Bayou), and Miranda July (Me and You and Everyone We Know).

Newly-single magician Eli Marks reluctantly attends his high school reunion against his better judgment, only to become entangled in two deadly encounters with his former classmates. The first is the fatal mugging of an old crush’s husband, followed by the suspicious deaths of the victim’s business associates. At the same time, Eli also comes to the aid of a classmate-turned-movie-star who fears that attempting The Bullet Catch in an upcoming movie may be his last performance. As the bodies begin to pile up, Eli comes to the realization that juggling these murderous situations -- while saving his own neck -- may be the greatest trick he’s ever performed.