Hallie Rubenhold Knihy

Polly, Annie, Elizabeth, Catherine a MaryJane se nikdy nesetkaly, a přece jejich osud skončil stejně. Psaly balady, provozovaly kavárnu, žily na venkovských panstvích, dýchaly inkoustový prach tiskařských strojů a utíkaly před obchodníky s bílým masem.Jedno měly ovšem společné: všechny byly v roce 1888 zavražděny. Jejich vrah nebyl nikdy dopaden, ale postava, kterou z něj tisk vytvořil, se proslavila víc než kterákoli z jeho obětí.Po více než sto let už nás tisk i četné studie přesvědčují, že „Rozparovač“ byl vrah prostitutek. Historička Hallie Rubenholdová však odhaluje, že nejenže se toto tvrzení nezakládá na pravdě, navíc ještě potlačilo zájem o skutečné, fascinující životní příběhy jeho obětí. Ve svém působivém, zdrcujícím líčení uvádí Rubenholdová věci na pravou míru. V její knize se před námi předestře svět Charlese Dickense a královny Viktorie, ale také svět chudoby, bezdomovectví a všeobecně rozšířené nenávisti k ženám.Všech pět žen zemřelo, protože se ocitly v nesprávnou dobu na nesprávném místě.

First published with the title Lady Worsley's Whim, read the book behind the major new BBC drama starring Natalie Dormer (Game of Thrones, The Hunger Games: Mockingjay)It was the divorce that scandalised Georgian England...

Miscast in the media for nearly 130 years, the victims of Jack the Ripper finally get their full stories told in this eye-opening and chilling reminder that life for middle-class women in Victorian London could be full of social pitfalls and peril.

A spirited heiress and a handsome baronet seem destined for a fairy tale marriage, but their union quickly spirals into one of history's most scandalous divorces. Lady Seymour Dorothy Fleming and Sir Richard Worsley's relationship, marked by glamour and promise, ultimately reveals the darker side of love and societal expectations, capturing public attention and igniting a media frenzy.

Their marriage had the makings of a fairy tale but ended as one of the most salacious and highly publicized divorces in history.In February 1782, England opened its newspapers to read the details of Sir Richard Worsley vs. George Maurice Bisset, a Criminal Conversation trial in which the aggrieved Sir Richard attempted to sue his wife€™s lover for an astronomical £20,000 in damages. In the course of the proceedings, the Worsley€™s scandalous sexual arrangements, voyeuristic tendencies and bed-hopping antics were laid bare.Lady Worsley€™s Whim is the story of a marriage between two opposing personalities; a stoic, art-collecting empiricist and a passionate romantic. Their tale is driven by the consequences of a terrible error of judgment made at a bath house on a summer€™s afternoon. The aftermath of this €œwhim€ altered their lives forever. This fascinating story has lain buried in long forgotten newspapers, overlooked pamphlets, yello

"1789: Henrietta Lightfoot, a young Englishwoman, trips on her silk gown as she runs for her life along the bloodstained streets of revolutionary Paris. She finds refuge in the opulent home of Grace Dalyrmple Elliott, the city's most celebrated courtesan. But heads are rolling, neighbours fear neighbours, and masters whisper before servants. As the sound of the guillotine echoes outside, within the gilded salons of high society Henrietta becomes a pawn in a vicious game of female power. How will she survive in a world where no one can be trusted?"--Goodreads.com

Perfect fiction for fans of BBC TV's hit series BRIDGERTON and HARLOTS 'A remarkable picture of a fascinating age' Daily Express 'A full-blooded historical' Independent _____________________ My tale is not for the faint of heart. Born illegitimate in eighteenth-century England, the scandalous Henrietta Lightfoot gives us her version of the truth about her criminal life in this delicious coming-of-age. Fleeing her childhood home for the big city, Henrietta is now swimming in the London underworld of rakes, rogues, sharks, pimps and courtesans - she quickly sees that true liberty is a man's privilege. What must Henrietta do to survive in a world designed for men? Gripping, twisty, shocking, MISTRESS OF MY FATE illuminates the dark lives of the women written out by the masters of eighteenth-century literature. Vibrant and full-blooded, it is an irresistible picaresque story for our times 'Two parts Lizzie Bennett and Tom Jones's Sophia Western to one part Moll Flanders' INDEPENDENT 'Combines extraordinary bawdiness with silky sophistication' DAILY EXPRESS

The Covent Garden Ladies tells the story of Samuel Derrick, Jack Harris, and Charlotte Hayes, whose complicated and colourful lives were brought together by the publication of Harris's List, an infamous guidebook of prostitutes which detailed addresses, physical characteristics, and "specialties." The true history of the book is a tragicomedy motivated by poverty, passionate love, aspiration, and shame. Its telling plunges the listener down the dark alleys of eighteenth-century London's underworld, a realm populated by tavern owners, pimps, punters, card sharps, and of course, a colourful range of prostitutes and brothel-keepers.

Focusing on the perspectives of three women central to the Crippen murder case, this narrative delves into their complex lives amid societal constraints and rapid change. It reexamines the infamous 1910 crime, challenging previous portrayals that victim-blamed and misrepresented the women's roles. By uncovering new evidence, the author reveals the multifaceted identities of Charlotte, Belle, and Ethel, highlighting their strength and agency against the backdrop of Edwardian society, ultimately redefining their stories beyond mere victimhood.

#saytheirnames: Polly, Annie, Elizabeth, Catherine und Mary-Jane Diese fünf Frauen wurden 1888 ermordet. Ihr Tod und noch mehr ihr Leben haben damals kaum jemanden interessiert. Hingegen wurde der unbekannte Täter, dem die Presse den Namen Jack the Ripper gab, mit viel Aufmerksamkeit bedacht. Hallie Rubenhold befreit die fünf ermordeten Frauen aus dem Schatten der Anonymität. In ihren Lebensgeschichten wird eindringlich deutlich, wie hart das Leben als Frau in der Arbeiterschicht zu jener Zeit war und wie katastrophal die Zustände im Armenhaus waren. Und vor allem, wie erbarmungslos die von der viktorianischen Moral geprägte Gesellschaft auf jede Frau blickte, die das ihr zugedachte Konzept der braven Ehefrau und Mutter hinter sich ließ. Hallie Rubenhold bietet in ihrem Buch neue Einsichten und stützt sich auf bisher ungesehenes oder unveröffentlichtes Material, wobei der Schwerpunkt erstmals ausschließlich auf den Frauen und nicht auf ihrem Mörder liegt.