Giacomo Leopardi Knihy

V meditativně laděných textech, v nichž se setkává poezie a próza, úvaha a fantazie, invence a racionální analýza skutečnosti, vyjadřuje autor především úzkost a osamělost člověka tváří v tvář vesmíru i soudobé společnosti. Morální dílka jsou odrazem autorova zaujetí filozofií, kde se pohybuje mezi teoriemi platónského idealismu, křesťanství a racionalismu. Svými kořeny tkví v nejlepší italské tradici a podává originální příklad věcného i imaginativního filozofického jazyka. Knížka je určena náročnému, sečtělému a intelektuálně založenému čtenáři.

Kniha básní italského romantického básníka. V kontextu italské literatury jsou Canti jediným dílem, které zcela nesporně patrí do hlavního proudu evropské romantické poezie, zároveň jsou však patrně poslední velkou evropskou knihou, v níž se bytostně propojuje moderní senzibilita s klasickým odkazem řecké a římské poezie. Česky a italsky.

Svazek, přibližující dílo italského, spisovatele, učence a básníka z rozhraní osvícenství a romantismu, přináší výbor z meditativních dialogických básnických próz, postihujících satiricky dobové pověry, a z myšlenek o povahách lidí a jejich chování ve společnosti. Doslov: JaroslavPokorný

Výbor z díla básníka.Čtyřicet básní - odrazů stavu duše básníka.

Giacomo Leopardi was the greatest Italian poet of the nineteenth century and was recognized by readers from Nietzsche to Beckett as one of the towering literary figures in Italian history. To many, he is the finest Italian poet after Dante. (Jonathan Galassi's translation of Leopardi's Canti was published by FSG in 2010.) He was also a prodigious scholar of classical literature and philosophy, and a voracious reader in numerous ancient and modern languages. For most of his writing career, he kept an immense notebook, known as the Zibaldone, or "hodge-podge," as Harold Bloom has called it, in which Leopardi put down his original, wide-ranging, radically modern responses to his reading. His comments about religion, philosophy, language, history, anthropology, astronomy, literature, poetry, and love are unprecedented in their brilliance and suggestiveness, and the Zibaldone, which was only published at the turn of the twentieth century, has been recognized as one of the foundational books of modern culture. Its 4,500-plus pages have never been fully translated into English until now, when a team under the auspices of Michael Caesar and Franco D'Intino of the Leopardi Centre in Birmingham, England, have spent years producing a lively, accurate version. This essential book will change our understanding of nineteenth-century culture. This is an extraordinary, epochal publication.

Giacomo Leopardi was the greatest Italian poet of the nineteenth century and was recognized by readers from Nietzsche to Beckett as one of the towering literary figures in Italian history. To many, he is the finest Italian poet after Dante. Leopardi was also a prodigious scholar of classical literature and philosophy, and a voracious reader in numerous ancient and modern languages. For most of his writing career, he kept an immense notebook, known as the Zibaldone, or "hodgepodge," as Harold Bloom has called it, in which he put down his original, wide-ranging, radically modern responses to his reading. His comments about religion, philosophy, language, history, anthropology, astronomy, literature, poetry, and love are unprecedented in their brilliance and suggestiveness, and the Zibaldone, which was only published at the turn of the twentieth century, has been recognized as one of the foundational books of modern culture. Its 4,500-plus pages have never been fully translated into English until now, when a team led by of Michael Caesar and Franco D'Intino of the Leopardi Centre in Birmingham have spent years producing a lively, accurate version. This essential book will change our understanding of nineteenth-century culture. Giacomo Leopardi (1798-1837), Italy's first and greatest modern poet, was also a critic, philosopher and philologist. His enormous Zibaldone, or philosophical and critical notebook, which many consider one of the great books of the 19th century, was published in Penguin Classics in 2013.

Giacomo Leopardi, hailed as Italy's greatest poet since Dante, presents an unfinished masterpiece in The Cantos. This work showcases his exceptional poetic talent intertwined with a profound moral awareness, characterized by its somber lyricism. As one of the early modern thinkers in the West, Leopardi's writings reflect deep introspection and a unique perspective on human existence.

First published in 1827 and here presented in a new translation by J.G. Nichols along with Thoughts, Leopardis own selected pearls of wisdom and gems of social observation, this volume will enchant both those who are familiar with and those who are new to the works of Italys last great polymath.

Featuring a curated selection of poems from Leopardi's Canti, this 1937 publication showcases the original Italian text, allowing readers to experience the beauty and depth of Leopardi's work in its authentic form. The collection highlights the themes of longing, nature, and the human condition, reflecting the poet's profound insights and emotional resonance. Ideal for both poetry enthusiasts and those interested in Italian literature, this book offers a glimpse into the timeless artistry of one of Italy's greatest poets.

This collection features 16 of Giacomo Leopardi's most significant lyric poems, originally composed in 1835. Renowned for their emotional depth and philosophical insights, these selected works are presented in English translations by various translators, including Alan Marshfield and A. S. Kline. The poems are arranged differently from their original sequence in Canti, allowing readers to experience the essence of Leopardi's poetic mastery in a new format. This edition highlights the enduring impact of Leopardi's contributions to Italian literature.