The Juggler of Our Lady
- 144 stránek
- 6 hodin čtení
This 1952 retelling of a medieval legend by famed illustrator R. O. Blechman was a predecessor to the modern graphic novel. Foreword by Jules Feiffer. Introduction by Maurice Sendak.
This 1952 retelling of a medieval legend by famed illustrator R. O. Blechman was a predecessor to the modern graphic novel. Foreword by Jules Feiffer. Introduction by Maurice Sendak.
The story follows two musician brothers as they navigate the highs and lows of life, experiencing both poverty and wealth. Set in a fable-like world, this graphic novel combines rich illustrations with a compelling narrative that explores themes of ambition, family, and the transformative power of music. The acclaimed cartoonist and animator brings a unique artistic style to this journey of resilience and brotherhood.
Blechman’s nearly 70-year career as a cartoonist and illustrator is showcased in this dual-sided collection. On one side, readers can explore 17 of his striking covers for Story magazine, while the other features essays that provide insightful commentary on contemporary culture, film, theater, literature, and politics. Through personal anecdotes and reflections, he addresses themes of perseverance, aging, and the challenges artists face, blending humor with depth to offer a unique perspective on the creative journey.
RENOWNED ARTIST R. O. BLECHMAN'S illustrations are instantly recognizable. For more than fifty years, his work has appeared on the covers of The New Yorker , run alongside op-eds in The New York Times , graced the pages of Harper's Bazaar , and, more recently, been featured on The Huffington Post , providing unspoken commentary on the world at large. In Dear James , Blechman has compiled all the wisdom he has accumulated over the course of his esteemed career into a series of poignant yet instructive letters written to an imagined young illustrator, "James." The result is a wise and mesmerizing meditation on creativity. Flush with wit and candor, Blechman's correspondence delves into his own trash can of false starts and failed beginnings, in addition to his artistic triumphs, to offer James both encouragement and criticism. He urges him to reach his potential as an artist, advising him on practical aspects -- proper technique, choice of work environments, dealing with editors -- and along the way provides invaluable insights on art, and life, that lay bare the challenges James will face as he aims to be successful in this demanding field. In the tradition of Rilke's Letters to a Young Poet , Dear James is an indispensable tool for any up-and-coming creative person looking for advice and inspiration, as well as a memorable read for those daring enough to chase their dreams.