Sheila Heti Pořadí knih (chronologicky)

A thrilling confessional from the award-winning author of Pure Colour, in the vein of Joe Brainard and Edouard Levé.

Heartbreaking, exciting, profound- a short epic that reimagines what the novel can do After God created the heavens and the earth, he stood back to contemplate creation, like a painter standing back from the canvas. This is the moment we are living in - the moment of God standing back. In this first draft of existence, a woman named Mira leaves home to study. There, she meets Annie, whose tremendous power opens Mira's chest like a portal - to what, she doesn't know. When Mira is older, her beloved father dies, and she enters that strange and dizzying dimension that true loss opens up. This is a book about the shape of a life, from beginning to end. It's about art, critics, and ageing. It's about the surrounding world - sky, trees, lakes, stars - and 'the world beyond this world', which can be glimpsed in rare moments when something shattering occurs. Pure Colour is a galaxy of a novel- explosive, celestially bright, huge, and streaked with beauty. It's a contemporary bible, an atlas of feeling, and its shape-shifting, mystical form allows us to take in the whole world in one glance. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold.

Kolik otázek si žena položí v souvislosti s mateřstvím? První: Být, či nebýt matkou? Druhá: Kdy být matkou? Třetí: Stanu-li se matkou, budu nadále také ženou? Svobodnou ženou? Sheila Heti psala knihu několik let před čtyřicítkou, závěr dokončila už po překročení magické věkové hranice. Popisuje, jak je žena s postupujícím věkem odsouvána do kouta mateřství a jak je nahlížena jako bezdětná. Dotýká se otázky věčné rivality mezi ženami, zkoumá bezdětný partnerský vztah, obhlíží terén mateřství u jiných a zatíná hluboko do čtenáře prosté pravdy o společnosti věčně soudící a příliš jednoduše odsuzující.

“I had to judge a story contest of 600+ anonymous stories and I read each one and without hesitation Jen George’s story was my favourite. I’m so happy this collection exists. I feel drunk with love for these stories. They’re so funny and weird and true.”—Sheila Heti“With a weird, beautiful energy, George explores the challenges of woman-being: singlehood, self-doubt, motherhood, the dismaying fact of aging, the (dis)ability to love. A modern-day Jane Bowles, George engages these mysteries in prose that is funny, charming, dark, and insightful.” —Deb Olin UnferthFive stories—several as long as novellas—introduce the world to Jen George, a writer whose furiously imaginative new voice calls to mind Donald Barthelme and Leonora Carrington no less than Kathy Acker and Chris Kraus. In “Guidance/The Party,” an ethereal alcoholic “Guide” in robes and flowing hair appears to help a thirty-three-year-old woman prepare a party for her belated adulthood; “Take Care of Me Forever” tragically lambasts the medical profession as a ship of fools afloat in loneliness and narcissism; “Instruction” chronicles a season in an unconventional art school called The Warehouse, where students divide their time between orgies, art critiques, and burying dead racehorses. Combining slapstick, surrealism, erotica, and social criticism, Jen George’s sprawling creative energy belies the secret precision and unexpected tenderness of everything she writes.

In this dazzlingly original first novel, Alain de Botton tells of a young man smitten by a woman on a Paris-London flight. On Love plots the course of their affair from the initial delirium of infatuation to the depths of suicidal despair, as the beloved, inexplicably, begins to drift away. "A tour de force pleasure of a first novel".Kirkus Reviews.

"An exploration of the questions we ask ourselves while getting dressed every day, and the answers from more than six hundred women"--From back cover.

Longlisted for the Women's Prize for Fiction 2013 Sheila's twenties were going to plan. She got married. She hosted parties. A theatre asked her to write a play. Then she realised that she didn't know how to write a play. That her favourite part of the party was cleaning up after the party. And that her marriage made her feel like she was banging into a brick wall. So Sheila abandons her marriage and her play, befriends Margaux, a free and untortured painter, and begins sleeping with the dominating Israel, who's a genius at sex but not at art. She throws herself into recording them and everyone around her, investigating how they live, desperate to know, as she wanders, How Should a Person Be? Using transcripts, real emails, plus heavy doses of fiction, Heti crafts an exciting, courageous, and mordantly funny tour through one woman's heart and mind.

The story follows George Ticknor, an aging bachelor burdened by guilt and insecurity, as he reluctantly heads to a dinner party hosted by his successful childhood friend, Prescott. With a pie in hand, Ticknor grapples with his feelings of resentment and the complexities of their one-sided friendship. Drawing inspiration from the real-life relationship between historian William Hickling Prescott and his biographer, the narrative offers a witty and fantastical exploration of the dynamics between the two men.