Strhující příběh dvou chlapců, syna hudebního nakladatele a geniálního houslisty z polské židovské rodiny, kteří společně vyrůstají za války v Londýně .
Norman Lebrecht Knihy
Norman Lebrecht je britský publicista a prozaik, jehož díla se zaměřují na hudbu a kulturní dění. Jeho psaní se vyznačuje pronikavým vhledem do světa klasické hudby a jejího společenského kontextu. Lebrecht zkoumá složité vztahy mezi uměním, historií a lidskou psychikou, přičemž jeho stylistická obratnost vtahuje čtenáře do hlubokých uměleckých debat. Prostřednictvím svých románů a esejů odhaluje univerzální témata lidské existence, zasazená do fascinujícího prostředí hudebního světa.







Málokterá kniha hudebního publicisty vzbudila ve světě v 90. letech takový rozruch jako The Maestro Myth Normana Lebrechta. V historii, literatuře a hudbě velmi vzdělaný redaktor Sunday Times a Opera News však vzbudil pozornost i dalšími svými knihami: Kdo zabil klasickou hudbu, Nezapomenutelný Mahler ... Obávaný kritik jako by svou knihou rýpl do vosího hnízda. Jeho názory a reflexe na dirigentské osobnosti, na svět hudebního byznysu, na minulost a hlavně současnost hudební interpretace jdou skutečně na dřeň problémů.
Beethoven’s life and legacy in 100 recordings
Mahler remembered
- 336 stránek
- 12 hodin čtení
No composer has had a greater influence on the music of the twentieth century than Gustav Mahler. And in Mahler Remembered, Norman Lebrecht, an acknowledged authority on the life and work of the seminal composer, compiles a unique volume that the Birmingham Post called breathtakingly interesting, a collection of what [Mahler's] friends, rivals and enemies said about the inspired . . . man . . . whose symphonies are now played more often than Tchaikovsky's.
In a hundred-year period, a handful of men and women changed the way we see the world. Without Karl Landsteiner there would be no blood transfusions or major surgery. Without Paul Ehrlich, no chemotherapy. Without Siegfried Marcus, no motor car. Without Rosalind Franklin, genetic science would look very different. What do these visionaries have in common? They all had Jewish origins. They all had a gift for thinking in wholly original, even earth-shattering ways. In 1847 the Jewish people made up less than 0.25% of the world's population, and yet they saw what others could not. Starting with the death of Mendelssohn and the birth of political anti-Semitism, Lebrecht takes us through the Jewish experience. The result is a celebration of Jewish genius and contribution
Genius and Anxiety
- 448 stránek
- 16 hodin čtení
A unique chronicle of the hundred-year period when the Jewish people changed the world - and it changed them
Book of Musical Anecdotes
- 402 stránek
- 15 hodin čtení
Delightful anecdotes illuminate the personal lives of renowned composers and performers, showcasing their humanity beyond their musical genius. This book offers music lovers an engaging exploration of the lesser-known, relatable aspects of these iconic figures, making it a captivating read for anyone interested in the intersection of music and personal stories.
Maestros, Masterpieces and Madness
- 352 stránek
- 13 hodin čtení
Exposes the strange truth and sheer brilliance behind the classical music recording industry. This book charts its rise since Caruso's first gramophone bestseller of 1902 and predicts the industry's imminent doom in the face of schmaltzy crossover albums and technology.
Why Mahler?
- 384 stránek
- 14 hodin čtení
In this highly original account of Mahler's life and work, Norman Lebrecht - renowned writer, critic and cultural commentator - explores the Mahler Effect, a phenomenon that reaches deep into unsuspecting lives, altering the self-perceptions of world leaders, finance chiefs and working musicians.
The Life and Death of Classical Music: Featuring the 100 Best and 20 Worst Recordings Ever Made
- 324 stránek
- 12 hodin čtení
Looks at the rise and fall of the classical music recording industry, from the first notes of Enrico Caruso; to the heyday of Bernstein, Could, Callas, and Karajan; to the industry's collapse in the wake of corporate control and the growth of "crossover," citing the finest one hundred and the worst twenty classical recordings ever made. Original. 30,000 first printing.
