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Richard Armstrong

    The Rough Guide to Film
    Der Untergang der Orion
    A History of God's Church of Old
    Ka Wehewehehala, Oia Hoi Ka Hulikananka
    Three Minutes a Day
    Zakleté moře
    • Richard Armstrong ústy svého mladičkého vypravěče předává čtenáři obraz veliké lidské odvahy, dobrodružství, jaké si my suchozemci ani neumíme představit. můžeme si jenom s Thornem, když se houpá na rozbouřeném moři v záchraném člunu, položit otázku: Bylo, či nebylo tajné moře zakleté? 13-833-72

      Zakleté moře
    • A History of God's Church of Old

      • 236 stránek
      • 9 hodin čtení

      This reprint of a historical work from 1872 aims to preserve and make accessible older literature. Published by Anatiposi, it acknowledges that age may result in missing pages or lower quality. The initiative focuses on the importance of keeping historical texts available for public consumption, ensuring that valuable works do not fade into obscurity.

      A History of God's Church of Old
    • Get the lowdown on the best fiction ever written. Over 230 of the world’s greatest novels are covered, from Quixote (1614) to Orhan Pamuk’s Snow (2002), with fascinating information about their plots and their authors – and suggestions for what to read next. The guide comes complete with recommendations of the best editions and translations for every genre from the most enticing crime and punishment to love, sex, heroes and anti-heroes, not to mention all the classics of comedy and satire, horror and mystery and many other literary genres. With feature boxes on experimental novels, female novelists, short reviews of interesting film and TV adaptations, and information on how the novel began, this guide will point you to all the classic literature you’ll ever need.

      The Rough Guide to Film
    • Mourning Films

      A Critical Study of Loss and Grieving in Cinema

      • 222 stránek
      • 8 hodin čtení
      3,0(3)Ohodnotit

      Focusing on modernist films centered around bereavement, this comprehensive study explores the genre's origins in classical melodrama and horror cinema. It examines enduring themes and aesthetic techniques, extending its analysis to European and American intellectual melodramas from the postwar era. By establishing a taxonomy of characteristics, the book offers a detailed understanding of how these films reflect and interpret grief, making it a significant contribution to film studies.

      Mourning Films