Javier Cercas Knihy

Dne 23. února 1981 v 18.23 hodin vtrhla do španělského parlamentu v Madridu skupina ozbrojených gardistů a nařídila poslancům, aby si lehli na zem. Tím začal pokus o puč, jehož cílem bylo odstranit vládu Adolfa Suáreze a nahradit ji vládou národní jednoty vedenou armádou. Někteří pučisté však chtěli svrhnout křehkou demokracii, která vznikla po smrti diktátora Franka v roce 1975. V parlamentu probíhalo hlasování o důvěře nové vládě, když Suárez podal demisi, což pučisty neodradilo. Všichni přítomní politici, novináři a zaměstnanci uposlechli rozkazy pučistů, kromě tří: Suáreze, ministra obrany Gutiérreze Mellada a vůdce komunistů Santiaga Carrilla. Tento okamžik symbolizoval celé španělské dějiny 20. století a přechod od diktatury k demokracii. Javier Cercas analyzuje tuto chvíli jako gesto osobní odvahy, ale také jako tragické gesto, které stvrzuje politickou kariéru svých protagonistů a dodává smysl jejich předchozímu jednání. O svém díle autor mluví jako o románu, avšak jde spíše o literární kroniku, fascinující převyprávění historických událostí.

Světoznámý román o španělské občanské válce. Součástí knihy je i doslov Jana Hlouška a jím sestavená chronologie událostí a rejstřík zúčastněných osob - politiků, novinářů, spisovatelů.

In the late 1970s, as Spain was adrift between the death of Franco and the rebirth of democracy, people were moving from the poor south to the cities of the north in search of a better life. But the work, when there was any, was poorly paid and the housing squalid. Out of this world of limited opportunities a generation of delinquents arose whose prospects were stifled and whose rebellion would be brief and violent. One summer's day in Gerona a bespectacled, sixteen-year-old Ignacio Cañas, known to his few friends as Gafitas, is working in an amusement arcade, when a charismatic teenager walks in with the most beautiful girl Cañas has ever seen. Zarco and Tere take over his pinball machine and his life. Thirty years on and now a successful criminal defence lawyer, Cañas has tried to put that long, hot summer of drugs, yearning and delinquency behind him. But when Tere appears in his office and asks him to represent El Zarco, who has been in prison all this time, what else can Gafitas do but accept. A powerful novel of love and hate, of loyalty and betrayal, of true integrity and the prison celebrity can become, Outlaws confirms Javier Cercas as one of the most thrilling novelists writing anywhere in the world today.

The Impostor is a humane, artistically responsible and civilised book, one that you finish feeling heartened that such a serious-minded writer as Cercas is at work. David Mills Sunday Times 20171029

An essential collection of literary criticism by one of Spain's most acclaimed authors

The young hero of The Speed of Light is an aspiring writer in provincial Spain in the 1980s, dreaming of burning success, searching for a real story to tell. Out of the blue he is offered the chance to work in a in a Midwestern university and soon he is in the United States, living a happy, carefree life, working and writing. Little does he know that his burgeoning friendship with the Vietnam Vet Rodney Falk, a man of few friends and strange ways, will influence the course of his entire life, or that he will become obsessed with unravelling the mystery at the heart of Rodney's life. Why do people sometimes ridicule and sometimes fear Rodney? Why does he shun the world? Why does he accept and befriend the narrator? What really happened at My Khe? When the young writer's own life takes a terrible twist many years later, Rodney may be the only person in the world who can save him.

A Terra Alta novel. Winner of Spain's biggest literary prize - the Premio Planeta

Lord of All the Dead is a courageous journey into Javier Cercas' family history and that of a country collapsing from a fratricidal war.

The second Terra Alta Investigation - a new crime series by one of Europe's leading writers

Una recopilación de crónicas misceláneas que nos deja ver la cara más irónica y sagaz de Javier Cercas. «Literatura, pues. Y literatura mestiza. Más: gozosamente mestiza, igual que la de la novela. Porque, si no me engaño, toda buena crónica aspira a participar de una triple condición: la del poema, la del ensayo y la del relato. Más humildes#o más incapaces#, las mías renuncian de antemano a las dos primeras categorías; en sus mejores momentos, propenden tal vez a la última. De hecho, acaso puedan leerse, una a una, como relatos. Como relatos reales.» J. C. La crítica ha dicho... «El escritor vivo más importante.» Aldo Cazzullo, Corriere della Sera «Un conjunto de artículos de sorprendente personalidad en la línea del periodismo de corte literario.» Santos Sanz Villanueva, El Mundo «Son dignos de figurar en cualquier antología del artículo literario.» Fernando Valls, El País «Desde el mismísimo Homero, la narración se nutre de realidad e invención; este libro lo demuestra de manera ejemplar.» Jordi Gracia, El Periódico