Ian Wallace Knihy

The first Documenta took place in Kassel in 1955. In this lecture from 1987, Vancouver artist Ian Wallace discusses the occasion as an expression of the postwar cultural and political climate.

Once again the astonishingly inventive mind of Ian Wallace has come up with a novel jampacked with new conceptions, mind-boggling conflicts, and edge-of-the-seat excitement. Ian Wallace, author of A VOYAGE TO DARI and CROYD, is unlike any other science fiction writer in this ability -- and in THE WORLD ASUNDER he has outdone himself!It is impossible to summarize this unusual novel in a simple statement except to say that within it you will find a conflict between time epochs, the struggle of demigods, the development of a super-weapon beyond today's, and the creation of the strangest peace-keeping organization ever devised. Running through it all is a moving novel of human relations, love and hate, romance and murder, and of events that surpass and alter the normal elements of life.

Richard Pochinko: Clown thru Mask has the origin of the famous clown technique developed by Richard Pochinko and a process loved by many artists, teachers, guides and those that want to know themselves better. It is an intuitive, inner child, exploration with clay mask made with eyes shut representing the 6 directions and a process loved by many in its ability to reach a sacred creative place. There are 12 Essential exercises. Included with this book is a 10 pages of a Dairy written by Della Burford when studying with Richard in 1986. Some of Richards students have commented in a Clown Registry started online. There is many historical photos taken by Ian's brother Douglas Wallace.

Das Raumschiff Castel Jaloux, ausgerüstet mit dem weiblichen Superhirn Chloris, tritt seine Reise durch den Hyperraum in Richtung auf die Djinn-Galaxis an. An Bord tummelt sich eine bunte Gesellschaft: Prinzessin Djeel und Prinz Hanoku von Dari, Präsident Tannen von Erth, Admiral Gorsky, ein weiblicher Haudegen - und Croyd, der Mann mit den schier allmächtigen Kräften, ein galaktischer Superagent. Er soll auf dem heruntergekommenen Planeten Dari den Posten eines Gouverneurs übernehmen, um Freibeutertum und skrupelloser Feudalherrschaft das Handwerk zu legen. Wer ist dieser Croyd, dessen Ich sich mühelos in zwei Helden - in Pan Sagittarius und Croyd - aufspaltet, während außerirdische Mächte seinen Körper gefangennehmen und in die Sklaverei verschleppen? Er ist Telepath und Telekinet, er beherrscht die Zeit, denn er kann sich sowohl in die Zukunft als auch in die Vergangenheit versetzen. Scheinbar freiwillig unterwirft er sich dem machthungrigen Dzendzel und lässt sich für dessen Dienste einspannen. Doch dann offenbaren sich seine geheimen Talente: Er zwingt dem obersten Vasallen Roland seinen Willen auf und befreit Dari und seine liebenswerten Ureinwohner vom Joch der Fremden.

Gdy czytasz te słowa, jedna trzecia ludzi na świecie śpi. Zanim się zbudzą, wyśnią razem ponad dziesięć miliard�w sn�w. Niekt�rzy być może uznają swoje sny za zupełnie przypadkowe i wyjątkowo dziwaczne.Jednak znaczna większość śniących podąża w swych snach pewnymi wsp�lnymi ścieżkami motyw�w i schemat�w zdarzeń, kt�rych większość nas doświadcza w marzeniach sennych. Te powszechne motywy senne wyłaniały się przez dziesiątki tysięcy lat i pozostają w ścisłym związku z historiami i przekonaniami, z kt�rymi mierzymy się w realnym życiu.Przez 30 lat pracy jako psycholog sn�w przeanalizowałem ich ponad sto tysięcy. W tym czasie zdałem sobie sprawę, że istnieje około 100 uniwersalnych typ�w czy modeli sn�w, kt�re wciąż się powtarzają. Ludzie z całego świata, niezależnie od kraju i kultury, opowiadają o nich z niezwykłą zgodnością.-autor

This volume presents selected proceedings from a conference organized by the International Feuchtwanger Society, titled ‘To Stay or not to Stay? German-speaking Exiles in Southern California after 1945’. The conference, held in September 2011 at the University of Southern California and Villa Aurora, examined the critical decision faced by German-speaking exiles in Southern California post-World War II: whether to return to Europe or remain in the United States. It begins with an analysis of remigrants' experiences as depicted in the exile publication Der Aufbau. Six chapters focus on Lion Feuchtwanger, exploring the circumstances that influenced his choice to stay in California after 1945. Following this, additional chapters provide fresh insights into other members of the German-speaking literary community in California. The discussion is further broadened by studies on remigration from the UK and the Soviet Union, as well as the challenges faced by exiled musicians in East Asia and Palestine. The volume concludes with an exploration of the experiences of remigrants in the media and film industry during the early post-war years.

This volume presents selected proceedings from the conference organized by the International Feuchtwanger Society titled ‘Feuchtwanger and Film’, held in September 2007 at the University of Southern California and Villa Aurora. The focus is on the relationship between literature and film, particularly concerning Lion Feuchtwanger's works. The book begins with three chapters analyzing Feuchtwanger’s novel Goya and the significant film adaptation by East German director Konrad Wolf for DEFA. The second section sheds new light on another of Feuchtwanger's novels, Jud Süß, and the infamous Nazi film of the same name. Attention then shifts to adaptations of Feuchtwanger's works by East German television, notably Die Brüder Lautensack, and explores his considerable reputation in Russia through Grigori Roshal’s film Sem’ia Oppengeim (1939), based on the novel Die Geschwister Oppenheim (1933). A later section examines the ‘filmic’ qualities present in much of Feuchtwanger’s oeuvre. The discussion expands to include three other émigré authors and their collaborations with DEFA (Arnold Zweig) and Hollywood (Franz Werfel and Anna Seghers). The volume concludes with a report on the ‘Feuchtwanger Relaunched’ project, an online initiative aimed at generating media interest in Feuchtwanger’s life and work.