Morris Dickstein Knihy

The horrifying conditions of the Chicago stockyards and the meatpacking industry are revealed through this narrative of a young immigrant's struggles in America.

Investigates the careers and cinematic accomplishments of twenty-three great directors including Antonioni, Bergman, Capra, Chaplin, Fellini, Hitchcock, Truffaut, and Welles

The book explores the evolution of literary realism, contrasting Stendhal's metaphor of the novel as a mirror with modern writers' innovative approaches that embrace invention and dislocation. It delves into the debates among deconstructive theorists, who question literature's connection to reality, and traditional historians, who critique the reliability of novels in depicting history and society. This examination highlights the shifting perspectives on the role and representation of literature in relation to the real world.

The memoir offers an engaging exploration of the author's journey from a religious upbringing in a Jewish family to a broader intellectual and cultural awakening. Through humorous and poignant anecdotes, Morris Dickstein recounts his experiences as a yeshiva student, his rebellious teenage years in the Catskills, and his immersion in literature and theater. This narrative highlights the conflict between his traditional roots and the allure of cosmopolitan life, symbolized by his transition from a yarmulka to a Yankees cap and the clandestine enjoyment of Shakespeare amidst religious studies.

Widely admired as the definitive cultural history of the 1960s, this groundbreaking work finally reappears in a new edition. The turbulent 1960s, almost from its outset, produced a dizzying display of cultural images and ideas that were as colorful as the psychedelic T-shirts that became part of its iconography. It was not, however, until Morris Dickstein's landmark Gates of Eden, first published in 1977, that we could fully grasp the impact of this raucous decade in American history as a momentous cultural epoch in its own right, as much as Jazz Age America or Weimar Germany. From Ginsberg and Dylan to Vonnegut and Heller, this lasting work brilliantly re-creates not only the intellectual and political ferment of the decade but also its disillusionment. What results is an inestimable contribution to our understanding of twentieth-century American culture.

Set against the backdrop of the 1930s, this work delves into the duality of anxiety and optimism experienced by Americans during the Great Depression. Morris Dickstein presents a rich tapestry of cultural elements, from Dust Bowl migrations to the vibrant arts scene, highlighting how these creative expressions provided hope and uplifted national morale. Challenging the notion that Depression-era culture was solely escapist, this analysis reveals the dynamic energy that defined a remarkable artistic period in American history.