Joseph Bristow Knihy

Krásný mladý šlechtic Dorian Gray se spřátelí s malířem Basilem Hallwardem, který je Dorianovým vzhledem naprosto uchvácen. Začne svého přítele portrétovat, v průběhu této práce ale Dorian Gray podlehne vlivu malířova přítele, lorda Henryho. Ten Dorianovi vnukne myšlenku, že obraz zůstává věčně krásný, zatímco jeho model stárne a chátrá. Dorian proto zatouží, aby místo něho samotného začal stárnout jeho portrét. A tak zatímco si Dorian zachovává stále pohlednou tvář, na jeho obraze se začne podepisovat jak postupující věk, tak každý Dorianův hřích… Román se sice odehrává se v prostředí Londýna viktoriánské doby, svojí kritikou sebestřednosti, samolibosti a lhostejné povrchnosti se ale jistě dotýká i dnešní společnosti.

The book offers a comprehensive and authoritative account of Oscar Wilde's two trials, drawing from diverse sources such as official and private letters, newspaper reports, and incomplete transcripts. It highlights the trials' significant impact on legal and cultural history, presenting an in-depth analysis that sheds new light on this pivotal moment.

Originally published in 1991. Focusing on ¿boys' own¿ literature, this book examines the reasons why such a distinct type of combative masculinity developed during the heyday of the British Empire. This book reveals the motives that produced this obsessive focus on boyhood. In Victorian Britain many kinds of writing, from the popular juvenile weeklies to parliamentary reports, celebrated boys of all classes as the heroes of their day. Fighting fit, morally upright, and proudly patriotic - these adventurous young men were set forth on imperial missions, civilizing a savage world. Such noble heroes included the strapping lads who brought an end to cannibalism on Ballantyne's "Coral Island" who came into their own in the highly respectable "Boys' Own Paper", and who eventually grew up into the men of Haggard's romances, advancing into the Dark Continent. The author here demonstrates why these young heroes have enjoyed a lasting appeal to readers of children's classics by Stevenson, Kipling and Henty, among many others. He shows why the political intent of many of these stories has been obscured by traditional literary criticism, a form of criticism itself moulded by ideals of empire and ¿Englishness¿. Throughout, imperial boyhood is related to wide-ranging debates about culture, literacy, realism and romance. This is a book of interest to students of literature, social history and education.