Paul LaFarge Knihy

Doktorka Marina Willetová to vůbec nemá lehké, její manžel Charlie si totiž vypěstoval závislost na autorovi hororů H. P. Lovecraftovi. Zejména je fascinován událostmi z léta roku 1934, kdy samotářský spisovatel strávil dva měsíce se svým mladým fanouškem Robertem Barlowem. Co ty dva spojovalo a co k sobě cítili? Když už si Charlie myslí, že hádanku vyřešil, vypukne skandál a on zmizí. Policie to označí za sebevraždu, ale Marina této verzi nevěří. Ve snaze zjistit pravdu se vydává po manželových stopách, které ji zavedou nejen k Futuriánům, skupině mladých autorů science fiction, ale i k Williamu S. Burroughsovi nebo k takzvanému Erotonomikonu, jenž je považován za intimní deník samotného Lovecrafta. Ať už patříte k vyznavačům díla mistra hrůzy z Providence, nebo se setkáváte s Lovecraftovým jménem poprvé, téhle románové pokloně psychiatrii a pulp fiction podlehnete dřív, než řeknete Cthulhu.

Set against a backdrop of rich historical context, this book weaves together intricate characters and compelling themes that explore the complexities of human relationships. The narrative delves into personal struggles and societal challenges, offering a poignant reflection on resilience and connection. With its engaging prose and thought-provoking insights, it captivates readers, making it a standout choice for those seeking a profound literary experience.

Born in Cuba on January 15, 1842, Lafargue was a child of the New World, although he was a citizen of France. Educated and trained as a physician, he found his true calling as a revolutionary, a speaker, writer, agitator, and organizer on behalf of French working people. He took an active part in the Paris Commune and was one of the founders of the party of revolutionary socialists in France. He held public office and represented the French workers at international congresses. He also spent time in French jails.

In this stunning, imaginative novel, LaFarge explores a secret in the life of Baron Georges-Eugene Haussmann, the great architect who demolished and rebuilt Paris in the middle of the 19th century. A "New York Times" Notable Book of 2001. 3 illustrations.

Set in a richly imagined alternate world, this haunting debut explores the complexities of love and loss. Paul La Farge weaves a narrative that captivates with its depth and emotional resonance, while the illustrations by Stephen Alcorn enhance the story's atmospheric quality. The novel delves into the mysteries of human connection, making it a thought-provoking read that lingers long after the last page.

Paul Lafargue's masterpiece, The Right To Be Lazy, at once funny and serious, witty and profound, elegant and forceful, is a logical expansion of The Right to the Pursuit of Happiness announced by Thomas Jefferson in the Declaration of Independence. It was not only extremely popular but also brought about pragmatic results, inspiring the movement for the eight-hour day and equal pay for men and women who perform equal work. It survives as one of the very few pieces of writing to come out of the international socialist movement of the nineteenth century that is not only readable-even enjoyable-but pertinent. This new translation by Len Bracken, fuller than previous versions in English, is supplemented by Lafargue's little-known talk on The Intellectuals.

Exploring the history of property ownership, this book traces its development from primitive societies to modern civilization through a Marxist lens. It examines key themes such as the influence of agriculture, the rise of trade, and the emergence of private property. Lafargue highlights the connection between property and class struggle, emphasizing how wealth concentration leads to social inequality and exploitation. This analysis provides a profound understanding of property as a fundamental societal concept, making it a significant contribution to literature on economic and social history.