Peter Gay Knihy

Peter Gay explores three literary masterpieces—Dickens's "Bleak House," Flaubert's "Madame Bovary," and Mann's "Buddenbrooks"—to reveal that novels offer more than historical truth. He examines the authors' craftsmanship and shared resentment towards society, showcasing their writing as a form of revenge within the Western literary canon.

Gay's exploration of middle-class Victorian culture features vivid portraits of influential figures such as Bismarck, Darwin, George Eliot, and notable satirists like Daumier and Wilhelm Busch. The work examines the complex dynamics between men and women, wit, and demagoguery, revealing how the nineteenth century simultaneously constrained and sanctioned aggressive behavior. This aggression created a divide within society, categorizing individuals into insiders and outsiders. Gay notes that the Victorians, by forming communities of insiders, often invented a world of strangers—comprising individuals and classes, races, and nations—that it was deemed acceptable to debate, patronize, ridicule, bully, exploit, or exterminate. The bottled-up aggressions of this era could not remain contained indefinitely, ultimately culminating in the outbreak of the First World War.

Gay presents a series of essays ranging from reflections on Freud and Shakespeare to Gay's controversial spoof review of Freud's The Interpretation of Dreams.

Part of a two-volume study of the Enlightenment, this volume develops a social history of the period, the "Philosophes" and their background. The author provides insights into the Enlightenment's critical methods and its humane and libertarian visions.

A biography and study of the psychoanalyst's career, family, personal life, and professional struggles.

Set against a backdrop of shifting societal norms, the book delves into a pivotal era when the lines between erotic expression and restraint began to blur, reshaping the nature of love. It combines meticulous research with a lyrical writing style, offering insights into the complexities of Victorian relationships, both fictional and real. The author’s ability to weave together historical context and personal experiences creates a compelling narrative that captures the essence of the "tender passion" during this transformative time.

Introduction by Peter Gay Translated and edited by Walter Kaufmann Commentary by Martin Heidegger, Albert Camus, and Gilles Deleuze One hundred years after his death, Friedrich Nietzsche remains the most influential philosopher of the modern era. Basic Writings of Nietzsche gathers the complete texts of five of Nietzsche’s most important works, from his first book to his last: The Birth of Tragedy, Beyond Good and Evil, On the Genealogy of Morals, The Case of Wagner, and Ecce Homo. Edited and translated by the great Nietzsche scholar Walter Kaufmann, this volume also features seventy-five aphorisms, selections from Nietzsche’s correspondence, and variants from drafts for Ecce Homo. It is a definitive guide to the full range of Nietzsche’s thought. Includes a Modern Library Reading Group Guide

Exploring the contrast between the external achievements of industrialists and scientists and the introspective journey of self-discovery, the author highlights how the pursuit of understanding one's inner self became a significant focus during a time of rapid progress. This examination reveals the complexities of human experience as individuals grapple with their identities amidst societal advancements.

Acclaimed cultural historian Peter Gay traces and explores the rise of artistic Modernism, the cultural movement that heralded and shaped the modern world, dominating western high culture for over a century.Peter Gay s most ambitious endeavour since

In this original and lucid guide to the proper reading of Gibbon, Ranke, Macaulay, and Burckhardt--great historians who were also great stylists--Peter Gay demonstrates that style is an invaluable clue to the historian's insight.

Argues that Freud was an atheist and that atheism was an important prerequisite for his development of psychoanalysis

Freud v první části tohoto společensko-teoretického spisu (Budoucnost jedné iluze) podává přehledný výklad svého pojetí kultury, která je vším, čím se lidský život liší od života zvířat a čím se povznáší nad animální podmínky. S tím souvisí represivní působení kultury na jednotlivce - lidé jsou nuceni zříci se svých přirozených pudů za účelem ovládnutí přírody pro dobývání životních statků. V souvislosti s kulturou je zde vyložena i Freudova teorie náboženských představ jakožto iluzí. Druhá část knihy (Nespokojenost v kultuře) rozvíjí myšlenku o působení principu reality, jenž je spojen s nelibostí, utrpením a vytlačuje princip slasti do pozadí. Člověk se snaží před utrpením uniknout - ať už prostřednictvím samoty, chemické intoxikace anebo přesunu libida, tzv sublimace pudů, která se může projevovat účastí na kolektivní snaze ovládnout přírodu, společnost atd. (kulturní sublimace) nebo uspokojením prostřednictví náboženství či umění. Jednou z forem úniku jsou rovněž neurotická onemocnění či psychózy. Kniha shrnuje Freudovo pojetí kultury, náboženství a sublimace pudů, které významně ovlivnilo společenskovědní trendy 20. století. Bude jistě žádaná studenty i laickou veřejností.

Focusing on nineteenth-century sexual behavior, this book utilizes a wide range of primary sources to challenge and redefine stereotypes, particularly regarding women's sexuality. By delving into historical contexts, it offers fresh insights that illuminate the complexities of sexual norms and behaviors during this era, providing a nuanced understanding of the interplay between gender and sexuality.

Focusing on the social history of the nineteenth century, this book presents a thorough exploration of bourgeois culture through the lens of Arthur Schnitzler, a provocative Viennese playwright. Peter Gay draws on his extensive scholarship to analyze the transformative century from Napoleon's defeat to the onset of World War I, providing insights into the era's cultural dynamics. This work stands as a significant contribution from one of America's foremost historians, offering a fresh perspective on a pivotal period in history.

First published in 1968, Weimar Culture is one of the masterworks of Peter Gay's distinguished career. A study of German culture between the two wars, the book brilliantly traces the rise of the artistic, literary, and musical culture that bloomed ever so briefly in the 1920s amid the chaos of Germany's tenuous post-World War I democracy, and crashed violently in the wake of Hitler's rise to power. Despite the ephemeral nature of the Weimar democracy, the influence of its culture was profound and far-reaching, ushering in a modern sensibility in the arts that dominated Western culture for most of the twentieth century. Vivid and eminently readable, Weimar Culture is the finest introduction for the casual reader and historian alike.

In this volume in the Lives series, Peter Gay, author of the bestselling Freud: A Life For Our Time, presents his appreciation of the life and work of Mozart, revealing truths more fascinating than the myths that have long shrouded the maestro's life.

In 1909 Freud delivered five lectures at Clark University in Worcester, Massachusetts. He spoke on the foundations of psychoanalysis, and the lectures were published the following year. Until the far more extensive Introductory Lectures on Psycho-Analysis, Five Lectures on Psycho-Analysis was the authoritative summary of Freud's ideas, and it remains a lucid general introduction.

The author traces his youth as an assimilated, atheistic Jew during the early years of the Nazi regime, his family's emigration in 1939, and his lingering ambivalent feelings toward Germany and the Germans

A National Book Award-winning Yale scholar's reflections on the romantic period, its contributors and its legacy addresses recurring questions about how to interpret romantic figures and their works while assessing modernism's debt to romanticism.

Challenge to Karl Marx

Während die Bürger der Unter- und Mittelschicht aus Unwissenheit, oder auch aus Unsicherheit gegenüber den sich ständig wechselnden Stilrichtungen in der Bildenden Kunst, der Musik und der Literatur, häufig am traditionellen Kunstgeschmack festhielten, gab es durchaus - vor allem in der Oberschicht - Bürger, die sich der Avantgarde und den Vorreitern der Moderne aufgeschlossen gegenüber zeigten. Sie betätigten sich als Sammler traditioneller und moderner Werke, insbesondere auch der ersten Impressionisten und machten ihre Kunstschätze der breiten Öffentlichkeit als Stiftungen zugänglich.§Die Künstler hingegen, die bestrebt waren, sich deutlich in ihren Werken von allen Zwängen gesellschaftlicher Konventionen zu befreien, überschütteten die Bourgeoisie in der zweiten Hälfte des Jahrhunderts heftiger als je zuvor mit Häme. Ihr Anspruch auf Kultiviertheit sei lächerlich, es fehle ihr jeglicher Kunstsinn, und sie huldige daher nur dem Kitsch oder einem prahlerischen Kunstkonsum.§ Peter Gay zeigt, daß diese zum Teil heftig ausgetragenen Konflikte letztendlich dennoch dazu führten, daß sich der Kulturbetrieb im 19. Jahrhundert in beispielloser Vielfalt entwickeln konnte.

In seiner originellen und lang erwarteten Studie zieht Peter Gay die Summe seiner lebenslangen Beschäftigung mit der Kulturgeschichte der letzten zwei Jahrhunderte. Lebendig und erfrischend zeichnet der die Bewegung der ästhetischen Moderne von ihren Anfängen bei Baudelaire in der Mitte des 19. Jahrhunderts bis zu den Romanen García Márquez’ und den Bauten Frank Gehrys von heute nach. Er schält die typischem Merkmale und inneren Widersprüche heraus, die diese permanente Revolution gegen ästhetische Normen und den »guten Geschmack« auszeichnet, und zeigt, wie noch die »anti-modernen Modernisten« wie z. B. T. S. Eliot dazuzurechnen sind. In eleganter Prosa und mit unglaublicher Belesenheit lässt uns Peter Gay die Kunst und Kultur unserer Gegenwart besser verstehen.

De Amerikaanse historicus gaat in op de bezwaren die zijn ingebracht tegen het gebruik van psycho-analyse bij de geschiedenisinterpretatie.

Der renommierte amerikanische Kulturhistoriker Peter Gay erforscht in diesem Werk die "Innerlichkeit" der Bourgeoisie im 19. Jahrhundert. Das 19. Jahrhundert, so Gay, hat sich leidenschaftlich bis hin zur Neurose ins Selbst vertieft. Gerade in jenen Jahrzehnten, in denen die Bürger den Versuch unternahmen, sich der Welt zu bemächtigen, und althergebrachte Traditionen ins Wanken gerieten, scheint die bürgerliche Selbsterforschung eingesetzt zu haben. Anhand umfangreichen Quellenmaterials - Biographien, Autobiographien, Tagebüchern, Briefen, Bildzeugnissen - zeigt Gay die seelische Befindlichkeit des Bürgers. Seine scharfsinnigen Beobachtungen machen das Buch zu einem echten Lesevergnügen.