Centres mainly on the artist's work. Majestic museum sculptures made from tons
of rock are juxtaposed with dramatic mud paintings and photographs recording
ephemeral changes to the natural landscape. Many of the photographs were taken
by the artist himself, and he has also included his own notes and writings.
Paul R. House provides a comprehensive theology of the Old Testament, carefully exploring each Old Testament book, thematically summarizing its content, and showing its theological significance within the whole of the Old Testament canon. Student friendly and useful to a wide audience, this impressive work has proved a profitable read for many.
"In January 1965 the international art world converged on New York and paid homage to abrilliant new star. The glittering opening of The Responsive Eye, a major exhibition of abstract painting at the Museum of Modern Art, signalled the latest phenomenon, Op Art - and its centre of attention was a young woman. Bridget Riley's dazzling painting Current appeared on the cover of the catalogue; her first solo show in New York sold out; and when featured in Vogue magazine the Riley 'look' became a fashion craze. Overnight, she had become a sensation - in every sense. Yet only three years earlier, Riley was a virtual unknown. How did success arrive so suddenly? A Very Very Person is the first biography of Bridget Riley and addresses that tantalising question. Focusing on her early years, it tells the story of a remarkable woman whose art and life were entwined in surprising ways. This intimate narrative explores Riley's wartime childhood spent in the idyllic Cornish countryside, her subsequent struggles to find her way as an artist, and the personal crises and challenges she faced before finally arriving as one of the world's most celebrated artists."--Publisher's description
The Phaidon Focus series presents engaging, up–to–date introductions to art’s modern masters. Compact, affordable, and beautifully produced, the books in this growing series are written by top experts in their field. Each features a complete chronological survey of an artist’s life and career, interspersed throughout with one–page "Focus" essays examining specific bodies of work. In Cindy Sherman, author Paul Moorhouse, Curator of Twentieth Century Portraits at the National Portrait Gallery, London, explores the groundbreaking artist’s use of portraiture to raise challenging and important questions about the construction of contemporary identity and the nature of representation. Moorhouse introduces some of Sherman’s most important works, including her seminal 1970s series "Untitled Film Stills,", her progression into color photography with the 1980s series "Centerfolds", and her recent large–scale photographic murals.
Drawing upon a wide range of sources, this chilling collection of true-life tales contains never before published cases of hauntings, phantoms and poltergeists in the Edinburgh area. Containing heart-stopping accounts of apparitions, manifestations and related supernatural phenomena, it takes the reader on a tour of the city's streets and buildings, through convents, cellars, churches and attics. Drawing upon the author's own extensive archives and richly illustrated with more than 70 archive images, Haunted Edinburgh will delight anyone with an interest in the supernatural history of the city.
Hodgkin's art can be seen as providing memorials for people, many of whom are
friends, whose absence is countered by the corresponding physical presence of
particular paintings. This book, like the exhibition it accompanies, surveys
the development of Hodgkin's portraiture from its beginnings in 1949 to the
present, including new paintings.