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Glenn Gould

    25. září 1932 – 4. říjen 1982

    Glenn Gould byl kanadský pianista, proslulý především jako interpret Bachovy klávesové hudby. Jeho hra vynikala technickou brilancí a schopností zřetelně artikulovat polyfonní struktury Bachových děl. Ačkoliv se jeho nahrávky soustředily na Bacha, Gouldův repertoár byl rozmanitý, zahrnoval i díla Beethovena, Mozarta a skladatele 20. století. Po třicítce se Gould vzdal koncertování, aby se mohl plně věnovat studiovému nahrávání a dalším projektům, včetně psaní, skládání a rozhlasové tvorby.

    Von Bach bis Boulez. Hrsg. u. eingel. v. Tim Page
    Schriften zur Musik 2. Vom Konzertsaal zum Tonstudio.
    Briefe
    Von Bach bis Boulez
    Schriften zur Musik 1. Von Bach bis Boulez.
    Conversations with Glenn Gould
    • Briefe

      • 366 stránek
      • 13 hodin čtení
      Briefe1997
      5,0
    • Glenn Goulds Spielweise spiegelt sich in seinem Schreiben wider: unberechenbar und provokant. Er hinterfragt und kritisiert nahezu jede musikalische "heilige Kuh", von Bach bis Boulez.

      Von Bach bis Boulez. Hrsg. u. eingel. v. Tim Page1992
    • Conversations with Glenn Gould

      • 159 stránek
      • 6 hodin čtení

      Pianist Glenn Gould (1932–82) was one of the most unique and charismatic musicians of the twentieth century, known for his interpretations of Bach, Beethoven, and Mozart at brisk tempos with remarkable clarity. A true eccentric, Gould was famous not only for his musical talent but also for his peculiar habits, such as humming during performances and wearing unconventional attire, including fingerless gloves and fur coats. In 1964, at the peak of his controversial career, he withdrew from live performances to concentrate on recording and writing. Jonathan Cott, a noted author and poet, was among the few who interviewed Gould, capturing their conversation in 1974 for Rolling Stone. After Gould's passing, Cott compiled these interviews into a collection, enhancing it with an introduction, photographs, and lists of Gould's recorded works and media appearances. In this engaging dialogue, Gould shares his opinions on various subjects, including his aversion to Mozart's piano sonatas, his preference for composers like Orlando Gibbons and Richard Strauss, and his admiration for Petula Clark, while expressing his distaste for the Beatles. This collection is widely regarded as one of Gould's finest interviews and a remarkable showcase of his personality.

      Conversations with Glenn Gould1984
      4,2