Knihobot

Anton Kaes

    Anton Kaes je profesorem německého jazyka a filmových a mediálních studií na Kalifornské univerzitě v Berkeley. Jeho práce se zaměřuje na film a média, zejména na německý film a jeho vztah k historii a společnosti. Kaes zkoumá, jak filmové umění odráží a formuje společenské a politické nálady, a analyzuje vizuální jazyk kinematografie v kontextu historických událostí.

    Deutschlandbilder
    Expressionismus in Amerika
    M
    Shell shock cinema
    From Hitler to Heimat
    The Weimar Republic Sourcebook
    • The Weimar Republic Sourcebook

      • 830 stránek
      • 30 hodin čtení
      5,0(2)Ohodnotit

      A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. The Weimar Republic Sourcebook represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community of readers to discover the richness and complexity of the turbulent years in Germany before Hitler's rise to power.Drawing from such primary sources as magazines, newspapers, manifestoes, and official documents (many unknown even to specialists and most never before available in English), this book challenges the traditional boundaries between politics, culture, and social life. Its thirty chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret and urban entertainment, and the situation of Jews, intellectuals, and workers before and during the emergence of fascism.While devoting much attention to the Republic's varied artistic and intellectual achievements (the Frankfurt School, political theater, twelve-tone music, cultural criticism, photomontage, and urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, and sexuality; it also contains a timetable of major political events, an extensive bibliography, and capsule biographies. This will be a major resource and reference work for students and scholars in history; art; architecture; literature; social and political thought; and cultural, film, German, and women's studies.

      The Weimar Republic Sourcebook
    • Examines changing attitudes among Germans as evident in films of the modern German era, leading away from guilt and atonement and seeking national identity

      From Hitler to Heimat
    • 'Shell Shock Cinema' shows how classical German cinema of the Weimar Republic was haunted by the horrors of World War I & the trauma of Germany's humiliating defeat. Anton Kaes argues that even films which do not depict war reveal a wounded nation in post-traumatic shock.

      Shell shock cinema
    • M

      • 112 stránek
      • 4 hodiny čtení
      4,0(96)Ohodnotit

      This edition of Anton Kaes' study delves into Fritz Lang's groundbreaking 1931 film M, exploring its themes, historical context, and cinematic techniques. It offers a critical analysis of the film's portrayal of morality and society, making it a significant contribution to film studies. The book situates M within the broader landscape of German cinema and examines its lasting impact on the thriller genre.

      M
    • Deutschlandbilder

      Die Wiederkehr der Geschichte als Film

      Inhaltsverzeichnis- Vorwort I Die Geschichte, die Bilder. Vom Umgang mit der Vergangenheit im Film - Das Mißtrauen gegenüber den eigenen Bildern - Die Flucht vor der Erinnerung - Die Wiederkehr des Verdrängten II Auf der Suche nach Deutschland. Spurensicherung und Phantasie in Alexander Kluges „Die Patriotin“ - Deutsche Geschichte als Erzählfläche - Die Arbeit am Material - Die „Erweiterung der Wahrnehmungsfront“ - Der neue Patriotismus III Leiden an Deutschland. „Geschichtsergänzung“ und Systemkritik in Rainer Werner Fassbinders „Die Ehe der Maria Braun“ - Die Politik des Privaten - Historisches Erzählen - Geschichte und Trauma - Das Ende der Utopie IV Der Blick auf die Kindheit. Autobiographie und Allegorie in Helma Sander-Brahms' - „Deutschland, bleiche Mutter“ - Die Befragung der Eltern - Vater-Land, Mutter-Sprache - Die feministische Perspektive V Mythos Deutschland, revisited. Historie und Post-histoire in Hans Jürgen Syberbergs „Hitler, ein Film aus Deutschland“ - Die stillgestellte Geschichte - Dramaturgie der Annäherung - Der gebrochene Mythos - Irrationalismus und Trauer VI Die Sehnsucht nach Identiät. Alltagsgeschichte und Erinnerungsarbeit in Edgar Reitz' „Heimat“ - Bilder aus der Provinz - Der erzählte Alltag - Das Gedächtnis der Geschichte - Geschichte - made in Germany VII Schlußbemerkung. Dier Medien und das öffentliche Gedächtnis Anhang - Anmerkungen - Bibliographie

      Deutschlandbilder