"Irish-born Sean Scully is one of the most important abstract painters alive today. Over the course of more than thirty years, he has produced a vibrant, compelling and constantly inventive body of work in a range of media that is widely collected and internationally exhibited. His familiar signature style of lines or bands of color alluding to architectural elements such as portals, windows and walls is instantly recognizable." "Published to accompany a major European exhibition tour, Sean Scully: A Retrospective includes work in all media - painting, photographs, prints, drawings and watercolors - from the early 1970s to the present, the only book to cover Scully's entire career to date. Texts by respected curators Danilo Eccher, Lorand Hegyi and Maria Lluisa Borras and award-winning American critic and art historian Donald Kuspit position the artist in his rightful place within the traditions of earlier abstraction and of painting in general, while discussing the spiritual, emotional and very human nature of his art."--Jacket
Sean Scully Knihy






The Fundacion Juan March presents this bilingual edition of Sean Scully's essay, Bodies of Light, as a supplementary publication accompanying the exhibition, The Abstraction of From Northern Romanticism to Abstract Expressionism, on view in Madrid from October 5th, 2007, to January 13, 2008. The essay was first published in Spanish in the magazine Pasajes (Valencia). In Bodies of Light, therefore, Scully unites the artists who begin and end our exhibition and does it with specific reference to the proposal by Robert Rosenblum that inspired that of the existence of a line that connects the Romantic sublime of 19th-century Northern Europe with the American abstract sublime of the 20th century. It is perhaps no coincidence that Scully himself - an abstract painter born in Northern Europe (Dublin, Ireland, 1945), who became an American citizen in 1983, and lives in New York - shares biographical traits with that lengthy history.
Sean Scully , an Irish-born American painter has been a focus of attention in international painting for more than thirty years. He has produced a vibrant and compelling body of work that is widely collected and internationally exhibited. He has persistently held his own course and countless exhibitions all over the world testify to his creative powers and the force of his painting, which is in the tradition of Classical Modernism, ascribing particularly great importance to the expressiveness of colour itself. This book outlines and highlights the continuous development of Scully's oeuvre, from its beginnings in the late 1960s to the present day, with particular reference to the inherent structural qualities of colour itself. The internationally known works which Scully has produced since the 1980s are thereby linked with his almost unknown early works. What actually constitutes the essential links in the last four decades is the artist's exploration of colour and its particular capacity to fulfil s
Jack the Wolf lives in a beautiful cave on a short mountain, near Colorfull Town. Jack is a happy and benevolent wolf, with only one weakness: CHOCOLATE. Follow Jack the Wolf through the pages of this beautifully illustrated book by world-renowned artist Sean Scully and his son Oisin Scully, to discover the trouble Jack causes to the children of Colorfull Town in his nightly hunts for chocolate dinners, and how his new friend Rebecca the Rabbit helps him restore happiness to the sad children of the town.
Sean Scully: Dark Yet
- 48 stránek
- 2 hodiny čtení
Scully's signature, earth-toned horizontal strata find new, shimmering depths when painted on aluminum and rendered in aquatint This book, Dark Yet, presents recent abstractions by Sean Scully (born 1945) that build on two decades-long series with a new painterly freedom: Wallsof colored blocks vibrantly stacked on the picture plane, and Landlinesforming strata of gloriously earthy colors. Graphic works based on a loose netlike pattern add a more pervious kind of visual delicacy. This book was published in conjunction with Galerie Max Hetzler
Looking at painters who came to prominence in the 1960s, '70s and '80s, this book shows how abstract painting has developed in the wake of postwar movements such as Art Informel.


