Cake Angels
- 176 stránek
- 7 hodin čtení
An irresistible collection of easy-to-make recipes from the award-winning home bakery. Enjoy truly delicious cakes and bakes that are free from gluten, wheat or diary.
Julia Thomas je profesorkou anglické literatury na Cardiffské univerzitě. Publikovala o aspektech slova a obrazu a je ředitelkou Archivu ilustrací a databáze ilustrací z poloviny viktoriánského období financované AHRC. Její práce zkoumá vzájemné působení vizuálních a literárních prvků a nabízí čtenářům nový pohled na kulturní historii.
An irresistible collection of easy-to-make recipes from the award-winning home bakery. Enjoy truly delicious cakes and bakes that are free from gluten, wheat or diary.
The Bard's Birthplace and the Invention of Stratford-Upon-Avon
Julia Thomas, an accomplished author known for works like Pictorial Victorians and Victorian Narrative Painting, serves as the Director of the Centre for Editorial and Intertextual Research at Cardiff University. Her expertise lies in the intersection of visual culture and literature, exploring how these mediums interact and influence each other, particularly in the Victorian era.
The novel explores the evolving friendships of four young women of color, tracing their journey from childhood to adulthood. It delves into the surprises and disappointments of life, revealing how the vows of "never" can lead to unexpected choices and consequences. As the characters navigate their challenges, they also uncover the extraordinary qualities of those once deemed ordinary. The story emphasizes the importance of relationships and personal growth, inviting readers to find their own reflections within the powerful connections portrayed.
One woman's split-second decision on the eve of World War II will tear a family apart...On the island of Guernsey, as WWII looms, many islanders make the heartbreaking choice to ship their children to safety in England, not knowing when (or if) they will be reunited. Acting on faith, Ava and Joseph Simon reluctantly send their 9-year-old son Henry and four-year-old daughter Catherine with their children's teacher Helen, who will escort them to the mainland.But Helen's sister Lily is fleeing an abusive, childless marriage, and, just as the ferry is about to leave, she convinces her sister to let her take Helen's place so that she can make a new start for herself. It is Lily who takes the children to England, and it is Lily who lets Henry get on a train by himself. But Lily has always wanted a child, and she's unable to let Catherine go. So she decides to walk the other way, taking Catherine with her in her arms. That split-second decision impacts the lives of everyone long after the war ends.Perfect for readers of Sold on a Monday, For Those Who Are Lost is at once heartbreaking, thought-provoking, and uplifting.
For readers of Martha Hall Kelly and Beatriz Williams comes poignant historical fiction that reminds us that literature has the power to speaks to everyone uniquely — but also to draw us together.Massachusetts, 1954. With bags packed alongside her heavy heart, Alice Campbell escaped halfway across the country and found herself in front of a derelict building tucked among the cobblestone streets of Cambridge. She turns it into the enchanting bookshop of her dreams, knowing firsthand the power of books to comfort the brokenhearted.The Cambridge Bookshop soon becomes a haven for Tess, Caroline, Evie, and Merritt, who are all navigating the struggles of being newly independent college women in a world that seems to want to keep them in the kitchen. But when a member of the group finds herself shattered, everything they know about themselves will be called into question. From the author of For Those Who Are Lost comes an extraordinary love letter to books and friendship, a story that is at once heart-wrenching, strengthening, and inspiring.
Focusing on the intersection of nineteenth-century illustrations and digital technology, the book explores challenges in making these artworks accessible online, including searchability and the complexities of crowdsourced tagging. It critically examines various online resources, providing a conceptual model to enhance understanding of historical illustrations in a digital context, emphasizing the importance of visual culture in contemporary scholarship.
More and more people are cutting out wheat, gluten and dairy from their diets, and the number of alternative ingredients available in supermarkets is growing rapidly to meet the demand. The most daunting part of this way of eating is the prospect of leaving behind indulgent desserts forever. In this stunning book, Julia Thomas provides more than 100 recipes illustrating how easy it is to make light, crisp pastry, gooey chocolate fondants, cheesecake, ice cream, creamy iced desserts, steamed sponges and all sorts of sticky sweet accompaniments without the need for wheat flour, butter or cream. Aimed at coeliacs, the lactose intolerant and anyone who simply wants to cut down on wheat, gluten or dairy, this easy-to-follow book features information on alternative ingredients, clear step-by-step instructions and irresistible recipes to give everyone the confidence to tackle free-from desserts. And no one will ever guess that the amazing dishes you're serving are made without these classic baking ingredients.
"On a cold December night in Cornwall, nanny Karen Peterson disappeared with three-year-old Sophie Flynn. The next day, the child's body was found on a riverbank in Penhale Wood. A year later, Sophie's mother, Iris Flynn, appears on the doorstep of investigating officer Rob McIntyre, determined to make him reopen her daughter's case. McIntyre has his own personal demons, but Iris hijacks his life in order to find the woman she thinks is responsible for Sophie's death. Following the slimmest of leads, they are soon confronting ghosts from the past and a chameleon-like killer who will do anything to stay hidden."--
Humans rank with the powerful forces of nature transforming Earth. Since the mid-20th century, population growth, industrialization, and globalization have had such deep and wide-ranging impacts that our planet no longer functions as it did during the previous eleven millennia. So distinctive is this collective human intervention that a new geological interval has been proposed; it is called the Anthropocene. The Anthropocene is intriguing scientifically, fascinating intellectually, and deeply disturbing politically, socially, economically, and ethically. We must learn how to co-exist sustainably with the rest of nature in what is emerging as a new planetary state. To do so, we must first understand what "Anthropocene" means in all its dimensions. This book adopts a multidisciplinary approach, starting with an exploration of the Anthropocene as a geological concept: ranging across the physical changes to the landscape, to the rapidly heating climate, to a biosphere undergoing transformation. And what of the "anthropos" in the Anthropocene? While geoscience does not normally address political and ethical issues of justice and equity, or economics and culture, Anthropocene studies in the humanities and social sciences investigate the complexities of the human activity driving global change. Here the book looks at human history, both in the deep past and more recently, the politics and economics of growth spurring the Anthropocene, and potential ways of mitigating its cruel effects. Our fragile, still beautiful, planet is finite. The new realities of the Anthropocene will need our best efforts, across disciplinary divides, at effective hope and action
This book brings the study of nineteenth-century illustrations into the digital age. The key issues discussed include the difficulties of making illustrations visible online, the mechanisms for searching the content of illustrations, and the politics of crowdsourced image tagging. Analyzing a range of online resources, the book offers a conceptual and critical model for engaging with and understanding nineteenth-century illustration through its interplay with the digital. In its exploration of the intersections between historic illustrations and the digital, the book is of interest to those working in illustration studies, digital humanities, word and image, nineteenth-century studies, and visual culture.