Lorraine Gorrell Knihy

Alexander Zemlinsky, a protégé of Brahms and Mahler, was an influential composer whose work was largely overlooked after his death, often remembered only as Schoenberg's brother-in-law. Recent scholarly attention, sparked by centenary celebrations, has revealed his significant contributions to music, showcasing his exceptional melodic talent across operas, choral works, chamber music, and symphonic pieces. His mastery is particularly evident in his extensive collection of over one hundred songs, highlighting him as a forgotten master of the early 20th century.

Exploring the rich tradition of the German Lied in the 19th century, this book delves into its historical context, musical evolution, and cultural significance. It examines the contributions of key composers and poets, highlighting how their works reflected the social and political changes of the era. The study offers insights into the lyrical themes, emotional depth, and stylistic innovations that characterize this genre, making it essential for understanding the interplay between music and literature during a transformative period in German history.

The development of the piano, together with changes in culture and society, led to the transformation of song into a major musical genre. This study of the great lieder of 19th-century composers Schubert, Schumann, Brahms, and Hugo Wolf also includes lesser-known composers, such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers