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"Re-visioning" the self away from home

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In exemplary fashion, detailed readings of Praisesong for the Widow (1983) and Daughters (1991) in particular illustrate the author's textual/textural act of re/viewing and en/visioning the indivisible cross-cultural implications of her West Indian American experience.

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"Re-visioning" the self away from home, Bernhard Melchior

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1998
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