Feiern - singen - schunkeln

Více o knize

M. Ritterbach introduces the Kölner Karneval, followed by A. Mungen, C. Siegert, and D. Larue's interdisciplinary approaches. G. Hirschfelder discusses the transition of Karneval into an event society, examining traditional customs' functions and transformations. M. Warstat explores the relationship between theater and Karneval through a theoretical lens, while R. Mailänder analyzes the interplay of Karneval with the church. W. Oelsner reflects on themes of mortality in Karneval songs. M. Fritsch investigates the role of dance in late medieval and early modern Fastnacht customs. S. Schroyen delves into the music of the Düsseldorfer Künstlerverein Malkasten. A. Dreschke studies the Kölner tribes' identity between Karneval and reenactment, and D. Larue focuses on the musical representation of identity in the Kölner Karneval. In the realm of music practices, S.-M. Woyke examines music theater in the Karnevals of Rome and Venice, while C. Bartsch highlights Chiquinha Gonzaga's influence on Brazilian Karneval. G. Noll discusses the significance of song in Kölner Karneval, and A. Reimers analyzes notable Kölner Karneval songs. A. Richenhagen contrasts mask and self-awareness in two songs. The operatic context is explored by C. Siegert, S. Hauck, and K. Knaus, focusing on the role of opera in Karneval across regions. M. Grempler addresses the darker aspects of Karneval in music theater, and A. Mungen reviews Karnevalistisches m