The interface of orality and writing
Autoři
Parametry
Více o knize
How did the visual, the oral, and the written interrelate in antiquity? The essays in this collection address the competing and complementary roles of visual media, forms of memory, oral performance, and literacy and popular culture in the ancient Mediterranean world. Incorporating both customary and innovative perspectives, the essays advance the frontiers of our understanding of the nature of ancient texts as regards audibility and performance, the vital importance of the visual in the comprehension of texts, and basic concepts of communication, particularly the need to account for disjunctive and non-reciprocal social relations in communication. Thus the contributions show how the investigation of the interface of the oral and written, across the spectrum of seeing, hearing, and writing, generates new concepts of media and mediation.
Nákup knihy
The interface of orality and writing, Annette Weissenrieder
- Jazyk
- Rok vydání
- 2010
Doručení
Platební metody
2021 2022 2023
Navrhnout úpravu
- Titul
- The interface of orality and writing
- Jazyk
- anglicky
- Autoři
- Annette Weissenrieder
- Vydavatel
- Mohr Siebeck
- Rok vydání
- 2010
- ISBN10
- 3161504453
- ISBN13
- 9783161504457
- Série
- Wissenschaftliche Untersuchungen zum Neuen Testament
- Kategorie
- Skripta a vysokoškolské učebnice
- Anotace
- How did the visual, the oral, and the written interrelate in antiquity? The essays in this collection address the competing and complementary roles of visual media, forms of memory, oral performance, and literacy and popular culture in the ancient Mediterranean world. Incorporating both customary and innovative perspectives, the essays advance the frontiers of our understanding of the nature of ancient texts as regards audibility and performance, the vital importance of the visual in the comprehension of texts, and basic concepts of communication, particularly the need to account for disjunctive and non-reciprocal social relations in communication. Thus the contributions show how the investigation of the interface of the oral and written, across the spectrum of seeing, hearing, and writing, generates new concepts of media and mediation.