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"The first book on Basquiat's ingenious uses of found objects and unconventional materials. Bringing together a range of unconventional painted supports and found-object sculptures, Jean-Michel Basquiat: Art and Objecthood provides an innovative, in-depth look into the artist's sculptural practice. In addition to painting and drawing on everything within his domestic spaces--refrigerators, chairs, cabinets--Basquiat made use of discarded windows and doors, mirrors, wood boards and subway tiles in his earliest creations. In a 1985 interview with Becky Johnston and Tamra Davis, he explained: "The first paintings I made were on windows I found on the street. And I used the window shape as a frame, and I just put the painting on the glass part and on doors I found on the street." Jean-Michel Basquiat: Art and Objecthood borrows its title from the influential 1967 essay by renowned art historian Michael Fried, who critiqued Minimalism for its dogmatic separation between
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