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A House of Knives

the second Breen & Tozer mystery set in the corrupt underground of 60's London

Hodnocení knihy

Více o knize

The decade is drawing its last breath. In Marylebone CID, suspects are beaten in the cells and the only woman has resigned. Detective Sergeant Breen has a death threat in his in tray and two burned bodies on his hands. One is an unidentified, unmourned vagrant; the other the wayward son of a rising politician. One case suffers the apathy of a depleted police force; the other obstructed by a PR-conscious father with the ear of the Home Office. But they can’t stop him talking to Robert ‘Groovy Bob’ Fraser – whose glamourous Pop Art parties mask a spreading heroin addiction among London’s young and beautiful – nor to a hippy squat that risks exposing it. Then the potential perpetrator of his death threats is murdered and Breen becomes a suspect. Out in the cold, banished from a corrupt and mercilessly changing system, Breen is finally forced to fight fire with fire. William Shaw paints the real portrait of London’s swinging sixties. Authentic, powerful and poignant, it reveals the shadow beyond the spotlight and the crimes committed in the name of liberation.

Nákup knihy

A House of Knives, William Shaw

Jazyk
Rok vydání
2014
Vazba
(pevná)
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Platební metody

4,0
Velmi dobrá
330 Hodnocení

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Podtitul
the second Breen & Tozer mystery set in the corrupt underground of 60's London
Jazyk
anglicky
Vydavatel
Quercus
Rok vydání
2014
Vazba
pevná
Počet stran
400
ISBN10
1782064206
ISBN13
9781782064206
Série
Původní název
House of knives
Hodnocení
4 z 5
Anotace
The decade is drawing its last breath. In Marylebone CID, suspects are beaten in the cells and the only woman has resigned. Detective Sergeant Breen has a death threat in his in tray and two burned bodies on his hands. One is an unidentified, unmourned vagrant; the other the wayward son of a rising politician. One case suffers the apathy of a depleted police force; the other obstructed by a PR-conscious father with the ear of the Home Office. But they can’t stop him talking to Robert ‘Groovy Bob’ Fraser – whose glamourous Pop Art parties mask a spreading heroin addiction among London’s young and beautiful – nor to a hippy squat that risks exposing it. Then the potential perpetrator of his death threats is murdered and Breen becomes a suspect. Out in the cold, banished from a corrupt and mercilessly changing system, Breen is finally forced to fight fire with fire. William Shaw paints the real portrait of London’s swinging sixties. Authentic, powerful and poignant, it reveals the shadow beyond the spotlight and the crimes committed in the name of liberation.