The Transformation of Nature in Art

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Focusing on the philosophical underpinnings of medieval art, Ananda Coomaraswamy explores the distinct principles of Asian and European artistic traditions, particularly emphasizing Indian and Chinese perspectives. He argues that Asian art serves a religious purpose rather than existing for its own sake, contrasting this with medieval European art and highlighting the significant shifts seen in post-Renaissance European art. This comparative analysis sheds light on the deeper meanings and functions of art across cultures and time periods.