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Contemporary Transnational Remakes. The Swedish "Män Som Hatar Kvinnor" (2009) and the Hollywood Production "The Girl With The Dragon Tattoo" (2011)

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This thesis explores the 2011 Hollywood remake of "The Girl With The Dragon Tattoo," examining its rapid release after the original Swedish film. It discusses the trend of remakes in Hollywood, motivations behind them, and the global exchange of cultural narratives, highlighting the impact of globalization on film industries.

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Contemporary Transnational Remakes. The Swedish "Män Som Hatar Kvinnor" (2009) and the Hollywood Production "The Girl With The Dragon Tattoo" (2011), Tom Keller

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2016
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