Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film

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Focusing on the concept of 'physical spectatorship,' this book examines how the depiction of mutilation in contemporary films elicits visceral reactions from viewers. It delves into the dynamic interactions between films and their audiences, challenging traditional perceptions of viewer engagement. Through its analysis, the work redefines the relationship between spectators and the visceral content they consume, offering insights into the embodied experience of watching mutilation films.