Japanese Avant-Garde and Experimental Film

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Exploring the evolution of Japanese avant-garde visual culture, this book delves into the intricate connections between historical movements and contemporary experimental films. It highlights key figures such as Shuji Terayama and Takashi It, alongside feminist filmmakers and modern independent directors like Takashi Makino. The author meticulously analyzes themes, objectives, and aesthetics from the origins of avant-garde cinema to the expanded cinema of the post-2000 era, offering a comprehensive view of this dynamic artistic landscape.